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Featured Pieces

A Moose, a Cake, and Unseen Eyes

March 15, 2024
Luca Suarez

The bottom of my jaw rumbles like a bony jackhammer as I press it against the car window, a feeble attempt to merge with its glassy surface and disappear forever. ​​For an eight-year-old boy, a four-hour car ride feels like an eternity. One can only be entertained by the twin LED screens of a Nintendo DS for so long before the inevitable queasiness of boredom and car sickness sets in. I struggle to unglue my rear end from the fossilized layer of gum, wax, and candy covering my seat while my brother snores nearby. The radio rings out incoherent chimes, and a blurry sign whizzing past informs me that we have just entered Queensbury, NY. I sigh and lean back onto my sticky throne, drumming impatiently on the transparent walls that imprison my hyperactive nerves. But eventually, the car stops, the bags unload, and the doors of childhood paradise slide open with a shuddering squeak. Our luggage glides soundlessly across the musty brown carpeting, eternally damp from the sweat and spilled drinks of a thousand squealing children. A stout old porter with a voice like sandpaper leads us past the lobby’s yellowing walls, which are covered in a thin layer of grime with the same consistency as a smoker’s lungs. As he points out the bathroom and the entrance to the lockers, a tumultuous battle between stale cigarettes and overpowering chlorine rages on in my nostrils. Nearby, the arcade glows in bright neon sin, tempting me with the promise of expired candy, plastic toys, and useless trinkets. While my parents argue loudly with the woman at the front desk, I initiate a staring contest with the faux moose head mounted above the seedy gift shop selling shot glasses adorned with cartoon critters and hoodies marred by gaudy designs. I try to peer past the moose’s hollow ping-pong eyes and see beyond the peeling walls and the humming lights, past the hotel’s decrepit shell and my mother’s exasperated sigh. Welcome to The Great Escape Lodge. It wasn’t really my idea, anyways. In fact, I would have much rather preferred to be spending my time with friends in New York instead of staring at phony taxidermy. But my mother had insisted that we “do something special” for the occasion, and thus my protests fell on deaf ears as we piled into our Honda Pilot and set off for the third largest indoor waterpark in New York State. Sitting just outside the Adirondacks (yet still “Adirondack-themed”), The Great Escape Lodge opened in 2006 as Six Flag’s second venture into the resort business. The hotel was greeted by to minimal fanfare and mediocre reviews, boasting a number of second-rate amenities and poorly-aged attractions like “Tak-it-Eesi-Creek” and “Tip-A-Kanu-Beach”. There were greasy fast food restaurants, subpar spas, moldy sports bars, and some kind of strange indoor hiking trail that was just a single carpeted hallway with trees painted on the walls. But the real star of the show was the state-of-the-art water park inside, which featured over 16 waterslides, a lazy river, and a comically large bucket that groaned and tipped over every 30 minutes, drowning anyone nearby in a deafening roar of ice cold water. I watched it empty its contents onto a group of unlucky guests through the sliding glass doors that separated the dingy hotel from its artificial Arcadia. My mother turns to me with approval shining in her eyes. “Isn’t this fun?”, she pleads. I shrug apathetically. The bucket apparatus sat atop a nest of pipes and girders that looked one loose screw away from a million-dollar lawsuit. A tangled mess of metal tubes spiraled out of its steeple and snaked down its sides like the brightly colored intestines of a dying animal. Children spewed out from under its limbs like hornets from a nest, howling maniacally as their pudgy feet slapped against the wet concrete floor. I grimace at the sight of the swimsuit-clad horde and try not to think about how much urine was currently stewing in those pools. Instead, I turn my attention to the Family Agenda PowerPoint Presentation, which had pinged my inbox a few minutes prior. My mother’s greatest passion in life is not going on vacation, but rather the delicate art of planning it far in advance. She finds solace in spreadsheets, spends weeks spinning webs of numbers and codes, until it all fell neatly into place and produced the illusion of ease. Our only glimpse into the full extent of her plans was the Family Agenda, a detailed catalog of events, dates, and dinners that was expected to be reviewed prior to the Morning Debrief. I never truly understood why she would do it. Why would she torture herself with self-imposed deadlines and color-coded calendars on her breaks when her job already demanded the same level of organization on a daily basis? My eight-year-old logic concluded it was the same degree of adult madness that forced me to make my bed every morning, or made me talk to my grandma when I couldn’t understand Spanish. I skim the itinerary as the porter guides us through the carpeted labyrinth to our room, his aching lungs wheezing like a broken accordion under the weight of our luggage. The door to Room 313 demands three incorrect key card swipes and a violent tug on the handle before shuddering open, and we are greeted by a tiny motel room stocked with cardboard couches and styrofoam beds. A painting of an unidentifiable landscape hangs on the wall, a smoke alarm lets out a shrill shriek, and a folded greeting card on the counter hopes that we enjoy our stay. My mother beams proudly as my brother approaches the pièce de résistance of her grand scheme, a tiny indoor shack covered with cheerful woodland creatures that takes up half of the room’s square footage. Included in the “Klub Moose Suite” package, it features a pair of bunk beds that are practically touching the popcorn ceiling and a small outdated television that buzzes with static electricity and minor radiation. My mother turns to me with a smile on her face as I stare at the inside of the closet-sized cabin and begin unpacking my bags. “Well, what do you think of your surprise? Isn’t it awesome?”, she chirps as I meticulously place my stuffed animals in the correct order on the bottom bunk. I shrug in response. “Are you excited for your presents? We can open them now if you want”. I focus on adjusting the sitting position of Baxter the Bear instead of responding to her question. A murky yellow silence hangs above us in the air. Her smile cracks slightly on the edges like a porcelain doll, and I wonder if this is what I want to be doing to my mom. She steps out of the wooden mockery and walks over to my dad, who whispers something to her that I pretend not to hear. I follow her out of the cabin and into the room. The TV is stuck on the hotel channel, cycling through an infinite loop of families plunging down innertubes and splashing happily in the water on loop. My mother has a strained expression on her face instead of a joyful one. Her voice is shaky but stern, her lips tightly pursed. “I know this isn’t what you wanted for your birthday. I know you’re tired and cranky from the drive. But don’t ruin this vacation for everyone else. At least pull it together for the next three days and try to make the best of it, okay?” I feel bile boiling in the back of my throat. A million burning thoughts rush through my head and obscure my vision. But I swallow my pride and nod. “Yeah, it’s alright”, I murmur. “Alright? I work hard for this, Luca. The least you can do is be appreciative.” The floodgates open and my thoughts come pouring out. “Yes, I appreciate it! I’m just tired from the drive, okay? I don’t even want to be here, and I’m just supposed to act like I’m happy? Why are you always so crazy? Why can’t you just relax or something?”, I snap back angrily. I regret the words the second they leave my lips, but it’s too late. My mother’s mouth drops open to respond and her watery eyes shimmer in the light. I feel my heart drop into my throat. Before I can say anything else, there’s a loud knock at the door. My mother walks over to open it, and I can hear her quickly mask her emotions with the phony enthusiasm she uses at her job. I hear heavy footsteps and frantic whispers behind the wall. I rise from the couch to see who has just come in. My heart sinks further into my stomach and does a triple backflip off an Olympic diving board. It is Spruce the Moose, the lodge’s mascot, and he is standing in our room. Accompanying him is the woman from the front desk, awkwardly grasping his elbow to lead him inside. His antlers scrape the top of the door frame and threaten to gouge the light fixture swinging overhead. I take a step backwards as he lumbers into the room, his unblinking eyes staring directly into mine as he fills the space. I look at my mother, and she looks at me with tears in her eyes and a smile plastered onto her face. I don’t think I can ever forget that look. The silent mascot holds out a cake decorated with his smiling face, and the woman from the front desk informs me that Spruce heard it was my birthday and wants to celebrate. I look up at the figure towering over me and think about the costumed employee inside. I hear him panting inside the mask, feel the gaze beneath his eyes. I think about the costume’s weight resting on his spine, the cold sweat trickling down his back, and the self-imposed binders narrowing his vision. I wordlessly opt out of the hug he offers me and shake his hand, feeling the grip inside his glove and the blood coursing through his veins. He stares at me for a moment before his head bobs up and down, his hands form a heart, and he shambles out into the hall as the front desk lady shoves a gift basket into my arms and scurries out behind him. The room lingers in stillness for a moment before dissolving into hysterical laughter. We couldn’t believe the absurdity of it all, my mom’s final surprise interrupted the one thing she couldn’t plan for. Tears trickle down her cheeks as she hugs me tight and my voice cracks in the middle of my apology. I am officially nine years old, and a chlorine-filled oasis is waiting for me beyond the musty walls of the hotel lobby. Tomorrow, I will plunge down twisting tunnels, float alongside my brother in a man-made lagoon, and squeal as an oversized bucket dumps freezing cold water down my back. But right now, the only thing that matters is that I am with my mom, and I am loved.

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Buried Alive – Screams of a Stifled Voice

Ava Satterthwaite
October 23, 2025

10:32 AM: drilling, grinding, sawdust coats my tongue. i am watching a film – a monochrome mouth moves in silence. a man shouts through the static, his words foreign, unintelligible. the reel flickers. barbed ribbons of cornflower blue obscure the scene, coiling around cranes and metal hooks, colliding with rubber-gloved hands, cutting between construction men in blue. is this show… interactive? i’m in the viewing room, on the table. back and forth and back again. 10:33 AM: the drill closes in. i am concrete: jaw locked, limbs tethered to the table. unable to move or breathe. unable to scream or flail or convince the construction men i am still alive. an entire orchestra of stars shine above me, humming a metallic shrill and showering me inan ostentatious sterilized haze. the conductor calls, “instruments sterilized… bone saw….” screeching. more shrilling. a sudden stabbing sensation, a teeming mouthful of metallic crimson. i flinch – this band sucks. i smack the cold leather below me; the curtains close on cue. 8:29 AM: “No allergies to medication? No food since 12 AM? OK, good… Well, I recommend a Vidocin waiver… She’ll have some soren— no? Fine. Insurance card, please.” I sink back into a tattered cloth chair, gaze fixed on a 1980s Wheel of Fortune rerun. Between Sajak’s comb-over, the wooden TV stand swelling with matted wires, and the stiff faux cactus in the corner, I feel like I've fallen into some neon-crazed, cobwebbed wrinkle of time. Mom offers the card and sits beside me, muttering under her breath as she scribbles a second, third, fourth signature on various forms. 8:47 AM: I take shallow breaths, clammy hands trembling as I scan the waiting room. Phrase: Five Words, 21 Letters W A _ I N G _ P F R O M A _ A D D R _ A M “Ava, come follow me.” How fitting. I walk toward the nurse and exhale as Sajak’s laugh and the dense smell of mildew dwindle into oblivion. Soon, I’ll be dreaming, then delirious with a mouthful of gauze. Soon – it’ll all be over. 9:00 AM: The door creaks. A man in starch white enters – his tall, refined frame harsh amid cartoonish bunnies and fields of flowers sketched on the walls. His smile is courteous, if stiff. “Morning, Ava. I hear you’re our wisdom teeth case today. Junior in high school?” Still scanning the sallow sunflowers behind him, I nod: “Yeah… starting college visits soon.” “Big milestone! License too, then?” He stretches into some latex gloves with such vehemence I wince. “Hopefully. I keep failing the parallel park.” “Ah, double freedom,” he retorts, voice now muffled behind a creased blue mask, “It’ll come.” I hesitate, then: “Um – one thing. I’m a natural redhead, and I read we sometimes need more anesthesia? I think I do, after all the cavities and root canals I’ve been half-numbed for.” I smile sheepishly, tracking cracks in the tiles beneath my swinging legs. “I don’t want to feel a thing.” More amused than concerned, he snickers; “You want the good stuff, huh? Don’t worry. You’ll be fine.” A feverish flush overtakes me, knuckles whitening as my fresh French manicure claws into the armrests. I purse my lips to nothing but the echo of crinkling paper and suffocating smell of antiseptic; the door slams before I can mumble another word. 9:05 AM: The room is heavier now – harsher. Even the fluorescent overheads seem fiercer, like electrified clouds infested with hail, enshrouded with an acute sense of dread. I half-expect the bunnies to flee the fields and burrow somewhere warmer, somewhere sheltered from the commotion. The storm brews swifter as I look down to two cold hands – mottled with bruises and blue veins like marble – still fastened to the vinyl-covered armchairs. I was Rose in The Titanic: the bitter Atlantic circled on all sides, but by God, I would hold on to that drifting wood, that stiff vinyl. If this room was a hailstorm, these armrests were my wreckage: a connection to the concrete, to solid land – a lifeline averting an ocean of fear from swallowing me whole. “They’re professionals,” I reassure myself, “trained doctors who do this all the time. I’ll be OK.” I’d identified five items I could see (bunnies, sunflowers, Purell hand sanitizer mounted to the wall, some knives and hooks on a steel, cafeteria-esque dish – the scariest school lunch you’ve ever seen) and two of four items I could touch (the torn sleeves of an old, moth-eaten sweater and the vinyl film on the armrests, of course) when a nurse knocks. She heads for the Purell and asks for an arm. I feel a quick prick, intentionally averting my eyes from the needle to resume the senses’ ritual (two more items to touch… could I fiddle with the IV line? brush the ribbed adhesive at the insertion site? no, that’d be weird). She smiles, gaze flickering to my still-trembling hands, “This’ll calm you down a little, sweetie, OK?” I offer a grateful nod. 9:10 AM: 28. In five minutes, I’d watched the monitor sink from 102 to 83 to 65 (Goldilocks’ zone, breath looser and mind mellower) to the headache-inducing 40, mind-bending 34 (when the bunnies stirred and a breeze made the sunflowers dance – ears smothered in the sound of a million little teeth munching on grass), further and further down until 28 BPM. At 28, neon snow bathes the bunnies, the room an old screen obscured in static. I envision the cactus, the Wheel! of! Fortune! theme, a crinkled People magazine (June 2000 edition, Jennifer Aniston on the cover) and mourn the naiveté of 30 minutes earlier. The tiles teeter as the room tornadoes around me; I seize an armchair with such force the whole chair rocks. Screw Rose, I am Jack: watching myself drown from the hail-ridden clouds above. I sob in slow-motion as my frostbitten hands unfetter from the armrests – Jack’s wooden door unreachable. I am desolate. I am defenseless from fate. A handheld mirror lies slanted on the counter beside me. I search its reflection for what seems like hours. I search this ashen face I once knew for some shred of life – a sniffle of the nose, a curl of the mouth – but to no avail. For a second, I wonder if I’ll die in the smeared reflection: a finale akin only to Narcissus’. After all, 28 isn’t so far from flatlined. Then, 28 climbs back to 33, 34, 42, the sacred 65. I’m not sure what time it is now – or whether it’s been hours, weeks, decades, seconds. I sure as hell am not calmer, though. 9:12 AM: The nurse returns. I ask her the time, what’s in the IV, “will I be under soon?”, each word clear and well-articulated. She’s startled – horrified: this, apparently, was not the desired result. “Wow! I’ve never seen someone so lucid on Midazolam. I– I must’ve halved the dose somehow.” Before I can remind her I’m less reactive to sedatives – before I can tell that snobbish doctor I told you so – she rushes over. “Well, I guarantee this one will work. You’ll be knocked until it’s time for home and ice cream.” She hastily injects another needle, “Count from ten for me.” 10… 9… 8… 7…. Curtains close. A POST-OP REPORT: Recorded 10/02/2022, 11:51 AM EST Patient Ava J. Satterthwaite, 16F, experienced intraoperative awareness and partial temporary paralyzation during wisdom teeth extraction. At 10:32 AM, Dr. Smith [real name omitted] observed REM, increased heart rate, breathing rate, and sweating. Additional anaesthesia was administered at 10:33 AM. Prior to operation, patient expressed concern of a potential need for additional anesthesia. Patient reacted unusually to pre-operative conscious sedation, appearing tense and alert rather than lethargic. Patient was administered a typical dose of anesthesia for her size and exhibited anticipated reaction in due time. There is no explanation as to why this dose was not effective throughout the procedure, but patient has not mentioned recollection of said episode – we do not intend to inform her or her mother, to ensure smooth mental recovery post-procedure. Patient exhibited minimal post-procedure reaction, displaying an immediate spatial awareness and producing well-articulated speech. Patient refused a wheelchair and walked to car without swaying or difficulty… indicating provided anesthetic dose may have been insufficient. Quick metabolization of anesthesia was recorded on her chart for future reference. NOV 05, 2022 | 3:02 AM: I am thrust awake, rattled for the third time this week with the acute sensation of suffocation. I feel smooth silk bedsheets crowded in clusters between my clammy hands and exhale. It’s 30℉ outside – bedroom window adorned in chromatic streaks of snowflakes and steam – but I am sweltered. A dense bead falls from my drenched forehead onto the satin. I drink water and stare into the darkness until my shallow breath has thickened. I’ve been buried alive. Again. This ritual started somewhere around mid-October. Initially, I attributed the nightmares to the stacks of wool and fleece and fur I practically drowned myself in every night. So, I switched to silk. For a week, I dozed under one thin linen blanket to the cadence of chattering teeth, waking still at 3AM, smothered, violently shivering. Sometime close to Halloween – when the evening’s installation featured a cornflower blue man and two matted bunnies – I connected the dots. I have lived in fear of doctors since: terrified to miss a stair, catch a cold, drink too much soda – terrified to live.

On MRI Machines, Cabinets, and Freshman Triples

Ina Ma
October 16, 2025

Things they don’t tell you about science: $110. They give you $110 for an MRI study. Or they do tell you, but only after you’ve read the newsletter and clicked the buttons and sent the emails, curious because you never had an MRI before. Then they tell you the magic number you will sell a few hours of your time for, to satiate your curiosity. You write about yourself in the email: 18 year old female, normal and corrected to vision, meets all requirements for the study, no issues, you are nothing less than perfect. Sidney E Frank Hall, opened in 2006, is a beautifully modern glass building that should be put on the front page of a brochure for Brown. The MRI Research Facility is in the basement of SFH, beneath the crushing weight of the five-story, 169,000-square-foot structure. You can touch the ceiling if you stand on your tippy toes. They will put you in an EEG cap and spend two hours gelling you up. They will press the metal nodes against your skull and it will teeter between pressure and pain. The gel gets inserted with a plastic syringe and forms an uncomfortable cool wetness between your hair and the cap. You may fall asleep between the methodical workings of two strangers. It is okay if you have a thin metal wire behind the rows of your teeth, permanently bonded to keep your teeth straight after two years of orthodontic treatment. It is okay if you forgot to mention it the first time they go over the screening questions because you will remember it the second time and your orthodontist will send them an email. The researcher says it is okay and your orthodontist says it is okay. You will still worry that the MRI machine will rip it out of your mouth with its magnetic force, and then your teeth will no longer be straight. The MRI machine is beautiful. She is sleek, white, and powerful, illuminated by a halo of soft yellow light. She thrums beneath your feet because she is alive, sending quiet reverberations running down your spine. The facade is ruined by a gray line of fraying duct tape running down the inner seam of the scanner. MRI immobilizers made of foam and gel slot you into place on the patient table. You feel like a mounted animal, ready to be stuffed and posed—the immobilized yellow perch screwed to driftwood, the paralyzed bluegill flush against his plaque. The patient table is thin and flimsy plastic quaking beneath you as you are mechanically moved into the all-encasing white of the scanner. They cover your body with a white sheet to keep you warm. You are a draped cadaver being slid into the mortuary cabinet. The. MRI. Tube. Is. Smaller. Than. It. Looks. They can taste your discomfort. They are kind. One offers to play a video of fish as they set up. You will watch the video of fish. The fish will swim when you cannot. You ask if you can be taken out between the assignments (no), if they can talk to you during the assignments (no), if you can wiggle your head a little (no). Once you are done with your silly questions, the machine will rumble to life. The song of the scanner swoops between pitches, high to low, beeping to booping. Between each bar the scanner shakes. You are lulled by the machine. Guilt. You aren’t supposed to be dozing off, but you are. Trapped between the sterile white walls of the scanner, your mind is the only thing that can spin, so you sleep to escape. You try to summon the comfort you found in small spaces as a child, squeezing into cabinets and sliding under the bed, but it doesn’t come to you. Don’t let the nausea overpower you. Click your button instead. Click. Click. Click. They will pull you out. You won’t be in there forever. You peel the EEG cap from your head. The gel will have begun to dry and crust on your scalp. You will be annoyed at having to wash it out later. In the moment you will only be able to feel the crashing waves of relief. It surprises you that what surprises you is they pay you in cash. You were expecting something digital, or at least a check. When was the last time you held so many crisp tens in your hand? You will take a nap afterward. about growing up: There exists a hexagonal wooden model a little less than 30 inches in all dimensions and of a deep walnut hue. You are young, so you are only two cabinets tall. The cabinet has a pair of inset wooden doors, each decorated with an ornate curved brass handle. The doors were engineered in such a manner that you can only open one from the outside and have to push the other open from the inside. It takes a tug—the cabinet resists. Online quotes of similar prototypes go up to $1,000, but knowing your parents and the timeline of cabinet acquisition, it was rescued off the side of the road or from a neighbor’s driveway yard sale. It is fun to play pretend. You meticulously move the vintage holiday mugs full of cables, discarded cardboard children’s books, and other miscellaneous items out of the cabinet. The cabinet is your den and you are a mother fox, the cabinet is a mountaintop cave and you are a dragonet, the cabinet is safe and crushing comfort. Slowly, the cabinet will shrink and the space between your skin and its walls will grow smaller. One day, you realize you cannot fit in the cabinet at all. You are hit with a feeling of loss but you do not know what you are missing. about dorms: Some triples are 537 square feet. Some triples are 259 square feet. Some triples have the floor’s electrical closet jutting into the room, making the narrowest part of the room 38 inches wide. Just enough to slot a twin XL mattress. Some triples are too small for three people. Once you move into your dorm, it will be even smaller than before. Your things seem to inch forward, taking up more room until you periodically push them back into place. They are crowding for more space, your space, so you will have to fight for it, shoving clothes into wooden dressers and memorabilia into plastic gallon bins. When you lie on your 38 by 80 inch twin XL at night, you imagine you can feel the walls of the room move to the breaths of your roommates. Your bed is pushed flush against the wall and the wall pushes back—no matter the season, the painted cinder block is strangely chalky and clammy to the touch. You imagine the wall is sweating. Your third roommate moves out. Somehow, the room feels larger and smaller than before. Her part of the room is crossed off with an imaginary line and when you step over, you can feel the oxygen atoms that long exited her lungs rattle around yours. There is nothing left but bare matress and uncovered tabletop. She had the narrowest part of the room. Maybe that’s why she left. The ceiling is stooped so that if you sit on the bed and stretch your spine, you can brush the roof with your fingertips. Neither the overhead fluorescent lighting nor the narrow windows can reach into the dark corner. about all of the above: Forget. Spend the $110, move the cabinet to the garage, pack your things and relocate. Forget the jarring roar of the scanner, the feeling of wood grain against your skin, the sweaty cinder block walls. Fact: you will continue to be forced into spaces too small for comfort. You will never stop growing out of your safe spaces. Every refuge is temporary. Grit your teeth, claw your way out, turn the four alien walls into your home. When trapped, learn to recognize when you should muster courage to stomach the discomfort and when to force the space to fit you. Understand when to move on, and you will burst out of the wooden cabinet that can no longer contain yourself.

Magic: A Sole Collection

Maison Teixeira, Sia Han, Desi Silverman-Joseph, Ina Ma, Luca Raffa, Juliet Corwin, and Annabelle Stableford
May 28, 2025

The fourth edition of our Collections series asks our staff writers to interpret the word “magic,” and all the memories, postulations, and emotions that come with it. From childhood wishes to peeling clementines to the process of illustration and design, our writers probe deep into their schema and produce exciting perspectives on the magical elements within our world. Porku - Maison Teixeira The small island of Brava goes completely dark every midnight, when the government shuts off all the island’s electricity—street lights, lamps, TVs and all. Ne walks home from work and checks his watch—it’s 11:57 PM. He starts to run, but doesn’t make it home before the lights go out on Brava. Luckily, the moonlight is just bright enough to see his path home. Ne keeps running, whizzing by the houses, trees, and bushes in his small, rural town. Then, out of the bushes bursts a PIG, fat enough to roast over a fire, followed by her six stumbling piglets. The mother pig hisses at Ne. He breaks into a sprint, then turns around to find the mother pig galloping behind him, her six piglets in tow. Ne tries to sprint faster, but the pigs always manage to catch up. Stopping to catch his breath at a tree, Ne has an idea. He grabs a branch from the tree and whips around to face his pursuers, striking them with his newfound weapon of choice. The pigs return to the woods, limping and whimpering. Ne 1, pigs 0. *** The sun shines over Brava. Ne walks the same path where his fateful standoff against the swines had taken place a few days prior. On the path is a lady who is followed by her six children. The lady has a sling on her arm, and her kids limp behind her on crutches. “What happened to you?” Ne asks her. She glares at him angrily and walks away, her kids trembling in fear as they stare back at him. Clementines - Sia Han I’m really good at peeling clementines. By good, I mean I can peel one in under 10 seconds and all the way around so all you’re left with is one long, winding spiral of peel. How do I do it? Well, first, get a good grip: dig in your thumbnail and carve out a circle around the little green knob. Make sure it’s wide enough, ’cause if your starting point is too thin, it'll tear. And to be as efficient as possible, peel using the blunt side of your thumb at a 45° angle as you turn the clementine in the other hand. To let you in on a secret though, I didn’t peel my own clementines until I was 15. I hated the way strips of peel and pith would lodge themselves into the crevices beneath my nails, how the smell would stain the tips of my fingers and linger all day. So I always got my mom to do it for me. It was like magic, how with one touch she could tell how ripe a clementine was and how, if she thought it was too sour for my liking, she’d wordlessly put it aside to search through the bag for a better one. How her thumb always seemed to know exactly how deep to dig before piercing skin, her thumbnail reemerging slightly yellow, stained by pith. And how she’d roll it, peel-pith-patches and all, back in one, endless, graceful brush of the hand. I’d watch, fascinated and wary. She complains to me now that her nails have lost the pinkish tint and slight curvature of mine, now yellow, opaque, and flat. It’s like someone squeezed each nail so hard, the edges have lifted and the color has been wrung out like a wet towel. I think I could reach over and just peel one off. Today I peeled a clementine. The skin was very thick, but it was okay because I cut my nails last night. And it ended up breaking three-fourths of the way done, but it was okay because the second piece kinda looked like Brazil. I shared halves with my mom and a bit of juice dripped down my palm, which I licked off. It tasted sweet and bright and good. Habits - Desi Silverman-Joseph Magical thinking. That’s what I heard it’s called. The twelve times I must jump and touch the ceiling when I get ready in the morning. The need to throw my socks onto the bed without them bouncing off before I put them on. The fact that I must put on my left shoe before my right, wipe my butt with certain hands in a certain order, soap up my body from bottom to top in the shower (yes, I know it’s gross). The way I cannot fall asleep without first cracking my back—folding my left leg ninety degrees over the right before reversing this position. It’s the doom I feel if I were to abandon these rituals. The slope between routine and superstition is slick as ice. What starts as an arbitrary habit to make a task automatic or avoid a decision can cement into a terrifying rigidity of mind—into a need that feels as vital as drinking water. What would happen if I forsook the twelve jumps or the sock game? If I put my shoes on right to left, soaped my body top-down like a normal person, violated the rulebook for wiping my ass? Lord, spare me from finding out. The stitches which hold the world together would surely disintegrate, the dams would burst, my downfall would be all but ensured. So please, let me work my magic. Hat Trick - Ina Ma I operate in extremes. It’s unsettling, to sit down with the midday sun hanging high in the sky then blink and find her setting, leaving me behind in the dust because I squandered the afternoon doodling. On other days, I can’t bring myself to open my drawing program lest the sight of the white and gray user interface makes me physically nauseous. The ability to create is as supernatural as any magic. Art is my magic, with shaky/uneven lines and disproportionate anatomy, but my magic. If I am a magician, then digital art is my hocus pocus. Like pulling a rabbit out of a hat, this is a trick I’ve done a thousand times before as my fingers slip over the keyboard, stabilizing lines, gradients, and fill buckets. When the rabbit listens, my flesh does not bind me. The nerves between mind and body are severed, gnawed through, no longer sending the signals requesting sustenance or rest. Every function within my body is working in tandem, synced in stable equilibrium solely to create. Hours are carved out of my day, waking up at five or retiring past midnight, skipping meals and events, to satiate the smoldering desire. I am only brought back to my body when the mental barrier is no longer strong enough to withstand the barrage of physical pain: bleary sight, deep aching in my back, an ominous pain in my wrist that says “impending carpal tunnel.” But sometimes, the rabbit grabs you by the ears. After these bouts of obsessivity, it spurns the suggestion of illustration, thumping its foot in my stomach at any hint of creative effort. It is a motion sickness where the motion is the firing of neurons in my brain. I have a playlist of songs that I would play on loop for hours on end for forays into animation, songs that I do not allow myself to listen to casually, in case the rabbit’s ears catch wind and it comes for me with disparaging rage, twisting knots in my abdomen. At the end of the day, I lure the rabbit back, not with a personal desire to draw or looming deadlines, but with gentle touch and promise of carrots and rest. As much as it wishes it could, the rabbit does not exist without me. It cooperates, and the cycle begins anew. Magari - Luca Raffa I dreamt about a prior life, a life I would not have merely existed in--a life I would have instead lived. I would probably be a peasant picking pears or peaches all day in the orchards; the limoncello sun would pinch me alive with the ripeness of passion and pride, and I would suckle the sweetness of life like the flesh of a persimmon, though my shadow might be my only companion. Or I might be nu piscaturi alone in the water, my golden face rough against the salty winds. I would whistle a charming melody about the fish that could fly across the uncertain sea. I would be as certain as the sun. Then I met you. I woke up, and your eyes appeared like the shallow turquoise waters I saw in my dreams and your hair appeared as soft as those peaches glistening in that sun. You make me see fish flying in the deep blueness of the sky, make my passion turn sour and my pride become mouldy. You make me want to dance to your drunken melody and nourish this helpless feeling. You make me ask God: “what do you call this magic? Love or Foolishness?”. For it is as perfect as lemon blossoms in the springtime. I Believe in Magic - Juliet Corwin When I say I believe in magic I mean I believe in evolution. I believe in growing out of our pasts, that we do not know how to stay still, that we build ourselves along the way. When I say I believe in magic I mean I believe in hands. I believe in skin, that we can touch in a way that does not hurt, that palms can hold all of this life. When I say I believe in magic I mean I believe in dancing. I believe in moving with our heartbeats, that we all have a bit of rhythm aching in our chests. When I say I believe in magic I mean I believe in scars. I believe in healing our wounds, even quietly, that we can create shields out of air. When I say I believe in magic I mean I believe in the big bang. I believe we are explosions, that we are made of stardust, that there is a drop of sunshine in each of us. When I say I believe in magic I mean I believe in sweat. I believe in salt, that we all can glisten, that we can melt and glide and shine. When I say I believe in magic I mean I believe in neurons. I believe that we are electric, firing across synapses, that we create our own sparks. When I say I believe in magic I mean I believe in ladybugs. I believe in wishes, that we make them just in case, and who’s to say they don’t come true after we’ve forgotten them? When I say I believe in magic I mean I believe in wombs. I believe in cradling close, that nests can be made of scraps, that we all learn a way of coming home. Desert Magic - Annabelle Stableford “Avada Kedavra!” Snape yelled, lunging out from behind the sandstone boulder. His black cape swirled in the red dust. Lupin, Ginny, and Hermione froze. The sky was a special kind of blue over the orange cliffs; the sand stung in their nostrils and watered their eyes; they did not know which of them had died. “No—wait—you can’t say that, it’s unforgivable,” I said, dropping Hermione’s accent to make sure my brother Sam, playing Snape, got the message. “Fine, but I’m still evil right now, okay?” Sam said. We all agreed, then kicked our feet in the dry sand as we wondered how to recover from our break in character. “Let’s go to Gringotts,” said Ginny, played by our family friend Liza. “I have a deposit to make.” Lupin, played by Liza’s brother Misha, jumped in: “I’ve heard rumors of a security breach. Keep your guards up.” Hermione, Ginny, and Lupin brandished their desert sticks as they turned to the pock-marked boulders, perfect for stashing gold deposits in. “Wait—and then how ‘bout I’m waiting there to attack,” Sam said. “And then how ‘bout I turn into a werewolf because it’s a full moon,” Misha replied. “And then how ‘bout you chase me and I have to retreat.” We “and then how ‘bout-ed” our way to our favorite boulder with large cubby-holes indented in the rock, where we took our places. As Ginny, Hermione, and Lupin deposited gold, Snape jumped out from behind a rock and yelled, “stupify!” Hermione fell back against the boulder, Ginny cast “expelliarmus!”, then all hell broke loose. Wands exploded, capes billowed in the wind, the battle raged. Darkness soon fell on the land of magic. Our shoes filled with sand and debris from the twiggy brush and our throats ached for water, but Hermione, Ginny, Lupin, and Snape carried on, riveted with adrenaline. As Lupin began writhing in the emerging wash of moonlight, a group of climbers walked down the path, heavy bags of rope and gear shouldered on their backs. They stared at us—our Crocs, our scraped skin, the sticks we clutched to our chests, the way we swished at cloaks they could not see. We took no notice, purposefully ignoring the amused glances the climbers exchanged with each other. “Muggles,” Ginny whispered to Hermione with an eye roll. They would never understand.

Goodbye

Luca Raffa
May 21, 2025

August/ September 2015 Although the nervous sweat evaporated from my skin in the high August afternoon, the driving sting of my salty fear still remained. The heat burnt me like it did the bitter grass in the fields—rusting under the merciless, almighty sun. On the eve of September, the rattling sighs of crickets hiding in the fields welcomed me; the crickets sang about death so beautifully. Amongst the fields, there it was: this cluster of white buildings, which appeared to me like castles. I walked towards the building with the golden bell, bright as freedom—it could almost be confused with the sun. The green doors of hope opened, and a man stood to greet me. His smile was big. He shook my weak hand: a firm, practiced grip. As our hands fell to our sides, his rolled up sleeves exposed the hair that grew wildly on his arms. He wore a blue dress shirt that erupted with sour sweat all over, tucked into a new pair of khaki pants and cinched by a leather belt to keep his belly in. Like me, I learned that Mr. Bates was new to this school. And at least that was something we could share. That September, Mr. Bates taught me and my boisterous peers how to greet one another. Give them your eyes. Give them your hands. Give them your words. I rehearsed over and over and over again until I had memorized this perfect display of human decency. Mr. Bates was teaching me how to navigate the spectacle of human interaction. He was teaching me how to belong in this world. * October/ November 2016 A layer of frost crusted the fresh decay of leaves that, by the evening, would continue to rot in the late October mist. The wind in the dark was nightmarish. It brought shivers to the trees, whose sick leaves would slowly dance to the ground, awaiting the night’s nip of winter. Like the trees I often trembled, alone in the dark and blind with nervousness. Stumbling up stairs, I would enter a bright room fresh with the rousing exuberance of youths I did not know. On opposite sides of the ballroom, the boys in their blue suits pretended to be men while the girls glistened in a resplendent rainbow of dresses. This was etiquette class. I learned how to waltz. The stiff clutch of my tie eased when I finally managed to approach a girl to dance during the first lesson. The question, sinking in my throat, at last burst forth frantically. My eagerness became our awkward foxtrot. She wore a taut black dress that complimented her smoothe, dark hair. Below her soft and secretive eyes, her face was scattered with rosette freckles all over. She leapt like a leopard into the night, forever disappearing from me––nameless. Each week, I danced with a new girl. I practiced introducing myself respectfully, meeting her elegant eyes, shaking her hand gracefully, moving my feet, touching my left hand to her shoulder, touching my right hand to her hip, swaying, dazzling. * December/ January 2017 At dawn, the dim glow of the moon was fleeting, the stars fading. The soft snow slept on the driveway like the powdered sugar that dusted my breakfast. The avenue was still, and everyone was inside still asleep. The wind yawned, releasing a sweet puff of life that wandered freely. The sun kissed its warmth on my neck. The cold embraced me too. At Christmastime, my family would drive ten hours to visit my grandmother. She was a round woman with a bullous nose, sharp eyebrows, and defiant eyes. She would summon me and my brother with a sputtering yell––boys, the food is ready––her way of saying that she loved us. The suitcases huddled ready in the shut trunk. The muffled sighs of the car and the blue fumes rising upward became one with the cool winter sky. The icicles stuck to the edges of the undercarriage melted into a puddle of slush black as charcoal. The car’s fresh leather seats were warm, causing the frost on my window to melt away and reveal the figure of my grandmother, small and motionless in the frame of the door, watching us leave. She was waiting for our promise to return again. Goodbye. *** In our youth, we are taught how to greet one another. It is an act of maturity, an act of integration into the world, an act of becoming. We learn to be actors who play our parts with projected voices and firm, dramatic motions. Our masks and costumes are charming. We follow the script.We perform ourselves. Yet no one ever teaches us how to say goodbye. Perhaps, letting go must be a truth then: a testament to our character, to our love, to the depth of our souls. We do not need to go to school or to ballroom dancing to learn how to say goodbye. It already glows in our hearts. Ultimately, life is an act of letting go. It is standing alone in the open doorway, the cold creeping inside, and silently watching those you love leave for new adventures. It is welcoming the uncertainty of when you will see that person again. It is the comforting pain of their absence, and the sweetness of your longing. It is the fateful pleasure of the unknown.

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