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Inheritance

April 1, 2025
Deeya Prakash

Whenever someone compliments my nose, I flick the tip of it with my thumb and smile, not so much because of their kindness but because my nose looks just like my mothers— sharp, defined, just the right size for my face. I think about her mother and her mother and the mother before that, passing down flared nostrils and bony bridges until they merged and became the central feature of my face. I think about how humans have the beautiful ability to resemble. Animals certainly have their own version of such a thing, shark pups blossoming into identical copies of parents they will never see again and baby parrots lining their feathers with their father’s streaks. But the human ability to inherit like beads on a string is another sort of wonder. For how wonderful to see your eyebrows on your daughter, your knuckles on your son? How incredible it must be to watch your grandmother pass down what you thought was a scar? The biology of our nature is nothing if not incessant, and yet it passes me by like the morning news. One day I am flipping through old albums and I catch a glimpse of my mother, wrapped in a sari and kissing my father on the cheek. I’m struck by her beauty– the arch of her cheek, the swell of her chin. I look in the mirror and pause, fingers on my face as I trace her features on my skin. How wonderful, to sit here and worry about the future when there is assurance that I will live on. *** My mother loves flowers. She points out the hydrangeas and the chrysanthemums and those little yellow ones that bark like dogs, picking them off the stem and placing them in my palms. When I am young, she pulls them apart and shows me their parts, running her fingers over their pistils, their ovaries, the style. We both marvel that something so small can do exactly the same things that we can: make themselves all over again. My mother may love flowers but the mother before her lived for them, sketching them in her leather bound notebook with a magnifying glass in her pocket and charcoal on the pads of her thumbs. My grandmother pressed daisies and grew alstroemeria, raising her daughters with petals in their hair and pollen in their lungs. She taught botany at the school down the street and I bet she was good at it too, her wallshouse always displaying her meticulous drawings of the begonia and the marigold and smelling of the rosewater in her tea. As such, my mother’s DNA spun with daffodils and marigolds, and she inherited the love for botany like it was the crease in her brow. I listen to her tell us about my grandmother and the notebook and the carnations, and how they last the longest when cut and bloom bright in a vase. We walk on the trails of Cincinnati, Ohio, and she plucks the leaves of the borages and stuffs them in her mouth, telling me that if I wanted to, I could too. I do not know much about plants, despite the women in my life who grew alongside them, and there is a certain sadness associated with the idea that I cannot inherit everything from the wonders that came before me. My mother worships the Icelandic poppies like my grandmother would with fresh jasmine, and instead I walk to the local corner store, buying my mother discounted carnations for her birthday and hoping I’ve remembered right. I pray my daughter likes flowers, or maybe her daughter after that. *** The first time that biology stops me in my tracks is when I read about DNA replication. Sitting at the dining table and splaying out my work, there's a picture in my textbook that catches my eye, wildly colorful and speckled in shine. Forty minutes later I have learned all there is to know about the complex procedure happening millions of times per minute within nearly every cell in my body. I am aghast as my eyes fly across the page, conceptualizing the DNA Helicase that takes me apart and the Ligase that puts me back together, all before dinnertime. I stare, transfixed, focusing my eyes to my hands on the pages as if I could somehow watch this play out in front of me. The nucleotides rush together in a swarm and hold hands like old friends and it is then I realize that my mother is snapping her fingers in front of my face like I’ve just gone off and not told her where. The movement of her fingers transfixes me, because I think they are the same ones that were just I’ve seen those before, placed uponon my textbook and tracing the words on the page. My DNA may be replicating, but half of it is hers, reflecting in the veins of her hands and the lines on her palm. There is DNA that just passes maternally; within the mitochondria lies genetic material, exclusively passed through kisses on foreheads, tuck-ins at night. I like to think that all the best of me is from those swirls of traits, nestled between harsh advice and that face she makes when I’m wearing something far too casual for the occasion. When I learn about this, I want to split myself open and see the evidence oflook at how much she has truly given me. I’d imagine I’d see my grandmother there, too, and the mother before that and the one before that, curled up at the center of my chest and breathing me whole. *** It’s the night of my senior prom and I walk into my parent’s bedroom, giving my mother a little spin. She takes one look at me and breaks into a grin, the kind of grin that we know to mean that I’ve done something right. She places her palm on my shoulder and it goes up to my cheek. I lean into her, and she tells me I look beautiful. I smile, gesturing to the last piece of my getup: her diamond pendant. She unclasps it from her throat and drapes it across my collarbone, the two of us watching it glimmer. I tell her I’m glad I have a piece of her tonight. She strokes my cheek and says I always do, right here. *** There are flowers blooming on the green today and I wish I could tell you what they were. They curl in the breeze and splay in the sun and I’m reminded of my grandmother, her scrawl peppered over the drawings in my bedroom and outlining the anatomy of the purple iris she drew for me all those years ago. I wonder where she got it from, this reverence. I think of how she used to pray not just for my mother and me, but also for the trees in our lawn and the plants on the sill. I think of the carnations on our dining room table and the soft smile of my mother that means that she’s happy. There are fields of women who have been growing a secret garden in my veins and as I smell the flowers on the green, I cut my nose on a thorn. My mother’s nose, or maybe the mother before that, or maybe her mother or the one that came first. I bleed red with their love.

Most Recent

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On MRI Machines, Cabinets, and Freshman Triples

Ina Ma
October 16, 2025

Things they don’t tell you about science: $110. They give you $110 for an MRI study. Or they do tell you, but only after you’ve read the newsletter and clicked the buttons and sent the emails, curious because you never had an MRI before. Then they tell you the magic number you will sell a few hours of your time for, to satiate your curiosity. You write about yourself in the email: 18 year old female, normal and corrected to vision, meets all requirements for the study, no issues, you are nothing less than perfect. Sidney E Frank Hall, opened in 2006, is a beautifully modern glass building that should be put on the front page of a brochure for Brown. The MRI Research Facility is in the basement of SFH, beneath the crushing weight of the five-story, 169,000-square-foot structure. You can touch the ceiling if you stand on your tippy toes. They will put you in an EEG cap and spend two hours gelling you up. They will press the metal nodes against your skull and it will teeter between pressure and pain. The gel gets inserted with a plastic syringe and forms an uncomfortable cool wetness between your hair and the cap. You may fall asleep between the methodical workings of two strangers. It is okay if you have a thin metal wire behind the rows of your teeth, permanently bonded to keep your teeth straight after two years of orthodontic treatment. It is okay if you forgot to mention it the first time they go over the screening questions because you will remember it the second time and your orthodontist will send them an email. The researcher says it is okay and your orthodontist says it is okay. You will still worry that the MRI machine will rip it out of your mouth with its magnetic force, and then your teeth will no longer be straight. The MRI machine is beautiful. She is sleek, white, and powerful, illuminated by a halo of soft yellow light. She thrums beneath your feet because she is alive, sending quiet reverberations running down your spine. The facade is ruined by a gray line of fraying duct tape running down the inner seam of the scanner. MRI immobilizers made of foam and gel slot you into place on the patient table. You feel like a mounted animal, ready to be stuffed and posed—the immobilized yellow perch screwed to driftwood, the paralyzed bluegill flush against his plaque. The patient table is thin and flimsy plastic quaking beneath you as you are mechanically moved into the all-encasing white of the scanner. They cover your body with a white sheet to keep you warm. You are a draped cadaver being slid into the mortuary cabinet. The. MRI. Tube. Is. Smaller. Than. It. Looks. They can taste your discomfort. They are kind. One offers to play a video of fish as they set up. You will watch the video of fish. The fish will swim when you cannot. You ask if you can be taken out between the assignments (no), if they can talk to you during the assignments (no), if you can wiggle your head a little (no). Once you are done with your silly questions, the machine will rumble to life. The song of the scanner swoops between pitches, high to low, beeping to booping. Between each bar the scanner shakes. You are lulled by the machine. Guilt. You aren’t supposed to be dozing off, but you are. Trapped between the sterile white walls of the scanner, your mind is the only thing that can spin, so you sleep to escape. You try to summon the comfort you found in small spaces as a child, squeezing into cabinets and sliding under the bed, but it doesn’t come to you. Don’t let the nausea overpower you. Click your button instead. Click. Click. Click. They will pull you out. You won’t be in there forever. You peel the EEG cap from your head. The gel will have begun to dry and crust on your scalp. You will be annoyed at having to wash it out later. In the moment you will only be able to feel the crashing waves of relief. It surprises you that what surprises you is they pay you in cash. You were expecting something digital, or at least a check. When was the last time you held so many crisp tens in your hand? You will take a nap afterward. about growing up: There exists a hexagonal wooden model a little less than 30 inches in all dimensions and of a deep walnut hue. You are young, so you are only two cabinets tall. The cabinet has a pair of inset wooden doors, each decorated with an ornate curved brass handle. The doors were engineered in such a manner that you can only open one from the outside and have to push the other open from the inside. It takes a tug—the cabinet resists. Online quotes of similar prototypes go up to $1,000, but knowing your parents and the timeline of cabinet acquisition, it was rescued off the side of the road or from a neighbor’s driveway yard sale. It is fun to play pretend. You meticulously move the vintage holiday mugs full of cables, discarded cardboard children’s books, and other miscellaneous items out of the cabinet. The cabinet is your den and you are a mother fox, the cabinet is a mountaintop cave and you are a dragonet, the cabinet is safe and crushing comfort. Slowly, the cabinet will shrink and the space between your skin and its walls will grow smaller. One day, you realize you cannot fit in the cabinet at all. You are hit with a feeling of loss but you do not know what you are missing. about dorms: Some triples are 537 square feet. Some triples are 259 square feet. Some triples have the floor’s electrical closet jutting into the room, making the narrowest part of the room 38 inches wide. Just enough to slot a twin XL mattress. Some triples are too small for three people. Once you move into your dorm, it will be even smaller than before. Your things seem to inch forward, taking up more room until you periodically push them back into place. They are crowding for more space, your space, so you will have to fight for it, shoving clothes into wooden dressers and memorabilia into plastic gallon bins. When you lie on your 38 by 80 inch twin XL at night, you imagine you can feel the walls of the room move to the breaths of your roommates. Your bed is pushed flush against the wall and the wall pushes back—no matter the season, the painted cinder block is strangely chalky and clammy to the touch. You imagine the wall is sweating. Your third roommate moves out. Somehow, the room feels larger and smaller than before. Her part of the room is crossed off with an imaginary line and when you step over, you can feel the oxygen atoms that long exited her lungs rattle around yours. There is nothing left but bare matress and uncovered tabletop. She had the narrowest part of the room. Maybe that’s why she left. The ceiling is stooped so that if you sit on the bed and stretch your spine, you can brush the roof with your fingertips. Neither the overhead fluorescent lighting nor the narrow windows can reach into the dark corner. about all of the above: Forget. Spend the $110, move the cabinet to the garage, pack your things and relocate. Forget the jarring roar of the scanner, the feeling of wood grain against your skin, the sweaty cinder block walls. Fact: you will continue to be forced into spaces too small for comfort. You will never stop growing out of your safe spaces. Every refuge is temporary. Grit your teeth, claw your way out, turn the four alien walls into your home. When trapped, learn to recognize when you should muster courage to stomach the discomfort and when to force the space to fit you. Understand when to move on, and you will burst out of the wooden cabinet that can no longer contain yourself.

Magic: A Sole Collection

Maison Teixeira, Sia Han, Desi Silverman-Joseph, Ina Ma, Luca Raffa, Juliet Corwin, and Annabelle Stableford
May 28, 2025

The fourth edition of our Collections series asks our staff writers to interpret the word “magic,” and all the memories, postulations, and emotions that come with it. From childhood wishes to peeling clementines to the process of illustration and design, our writers probe deep into their schema and produce exciting perspectives on the magical elements within our world. Porku - Maison Teixeira The small island of Brava goes completely dark every midnight, when the government shuts off all the island’s electricity—street lights, lamps, TVs and all. Ne walks home from work and checks his watch—it’s 11:57 PM. He starts to run, but doesn’t make it home before the lights go out on Brava. Luckily, the moonlight is just bright enough to see his path home. Ne keeps running, whizzing by the houses, trees, and bushes in his small, rural town. Then, out of the bushes bursts a PIG, fat enough to roast over a fire, followed by her six stumbling piglets. The mother pig hisses at Ne. He breaks into a sprint, then turns around to find the mother pig galloping behind him, her six piglets in tow. Ne tries to sprint faster, but the pigs always manage to catch up. Stopping to catch his breath at a tree, Ne has an idea. He grabs a branch from the tree and whips around to face his pursuers, striking them with his newfound weapon of choice. The pigs return to the woods, limping and whimpering. Ne 1, pigs 0. *** The sun shines over Brava. Ne walks the same path where his fateful standoff against the swines had taken place a few days prior. On the path is a lady who is followed by her six children. The lady has a sling on her arm, and her kids limp behind her on crutches. “What happened to you?” Ne asks her. She glares at him angrily and walks away, her kids trembling in fear as they stare back at him. Clementines - Sia Han I’m really good at peeling clementines. By good, I mean I can peel one in under 10 seconds and all the way around so all you’re left with is one long, winding spiral of peel. How do I do it? Well, first, get a good grip: dig in your thumbnail and carve out a circle around the little green knob. Make sure it’s wide enough, ’cause if your starting point is too thin, it'll tear. And to be as efficient as possible, peel using the blunt side of your thumb at a 45° angle as you turn the clementine in the other hand. To let you in on a secret though, I didn’t peel my own clementines until I was 15. I hated the way strips of peel and pith would lodge themselves into the crevices beneath my nails, how the smell would stain the tips of my fingers and linger all day. So I always got my mom to do it for me. It was like magic, how with one touch she could tell how ripe a clementine was and how, if she thought it was too sour for my liking, she’d wordlessly put it aside to search through the bag for a better one. How her thumb always seemed to know exactly how deep to dig before piercing skin, her thumbnail reemerging slightly yellow, stained by pith. And how she’d roll it, peel-pith-patches and all, back in one, endless, graceful brush of the hand. I’d watch, fascinated and wary. She complains to me now that her nails have lost the pinkish tint and slight curvature of mine, now yellow, opaque, and flat. It’s like someone squeezed each nail so hard, the edges have lifted and the color has been wrung out like a wet towel. I think I could reach over and just peel one off. Today I peeled a clementine. The skin was very thick, but it was okay because I cut my nails last night. And it ended up breaking three-fourths of the way done, but it was okay because the second piece kinda looked like Brazil. I shared halves with my mom and a bit of juice dripped down my palm, which I licked off. It tasted sweet and bright and good. Habits - Desi Silverman-Joseph Magical thinking. That’s what I heard it’s called. The twelve times I must jump and touch the ceiling when I get ready in the morning. The need to throw my socks onto the bed without them bouncing off before I put them on. The fact that I must put on my left shoe before my right, wipe my butt with certain hands in a certain order, soap up my body from bottom to top in the shower (yes, I know it’s gross). The way I cannot fall asleep without first cracking my back—folding my left leg ninety degrees over the right before reversing this position. It’s the doom I feel if I were to abandon these rituals. The slope between routine and superstition is slick as ice. What starts as an arbitrary habit to make a task automatic or avoid a decision can cement into a terrifying rigidity of mind—into a need that feels as vital as drinking water. What would happen if I forsook the twelve jumps or the sock game? If I put my shoes on right to left, soaped my body top-down like a normal person, violated the rulebook for wiping my ass? Lord, spare me from finding out. The stitches which hold the world together would surely disintegrate, the dams would burst, my downfall would be all but ensured. So please, let me work my magic. Hat Trick - Ina Ma I operate in extremes. It’s unsettling, to sit down with the midday sun hanging high in the sky then blink and find her setting, leaving me behind in the dust because I squandered the afternoon doodling. On other days, I can’t bring myself to open my drawing program lest the sight of the white and gray user interface makes me physically nauseous. The ability to create is as supernatural as any magic. Art is my magic, with shaky/uneven lines and disproportionate anatomy, but my magic. If I am a magician, then digital art is my hocus pocus. Like pulling a rabbit out of a hat, this is a trick I’ve done a thousand times before as my fingers slip over the keyboard, stabilizing lines, gradients, and fill buckets. When the rabbit listens, my flesh does not bind me. The nerves between mind and body are severed, gnawed through, no longer sending the signals requesting sustenance or rest. Every function within my body is working in tandem, synced in stable equilibrium solely to create. Hours are carved out of my day, waking up at five or retiring past midnight, skipping meals and events, to satiate the smoldering desire. I am only brought back to my body when the mental barrier is no longer strong enough to withstand the barrage of physical pain: bleary sight, deep aching in my back, an ominous pain in my wrist that says “impending carpal tunnel.” But sometimes, the rabbit grabs you by the ears. After these bouts of obsessivity, it spurns the suggestion of illustration, thumping its foot in my stomach at any hint of creative effort. It is a motion sickness where the motion is the firing of neurons in my brain. I have a playlist of songs that I would play on loop for hours on end for forays into animation, songs that I do not allow myself to listen to casually, in case the rabbit’s ears catch wind and it comes for me with disparaging rage, twisting knots in my abdomen. At the end of the day, I lure the rabbit back, not with a personal desire to draw or looming deadlines, but with gentle touch and promise of carrots and rest. As much as it wishes it could, the rabbit does not exist without me. It cooperates, and the cycle begins anew. Magari - Luca Raffa I dreamt about a prior life, a life I would not have merely existed in--a life I would have instead lived. I would probably be a peasant picking pears or peaches all day in the orchards; the limoncello sun would pinch me alive with the ripeness of passion and pride, and I would suckle the sweetness of life like the flesh of a persimmon, though my shadow might be my only companion. Or I might be nu piscaturi alone in the water, my golden face rough against the salty winds. I would whistle a charming melody about the fish that could fly across the uncertain sea. I would be as certain as the sun. Then I met you. I woke up, and your eyes appeared like the shallow turquoise waters I saw in my dreams and your hair appeared as soft as those peaches glistening in that sun. You make me see fish flying in the deep blueness of the sky, make my passion turn sour and my pride become mouldy. You make me want to dance to your drunken melody and nourish this helpless feeling. You make me ask God: “what do you call this magic? Love or Foolishness?”. For it is as perfect as lemon blossoms in the springtime. I Believe in Magic - Juliet Corwin When I say I believe in magic I mean I believe in evolution. I believe in growing out of our pasts, that we do not know how to stay still, that we build ourselves along the way. When I say I believe in magic I mean I believe in hands. I believe in skin, that we can touch in a way that does not hurt, that palms can hold all of this life. When I say I believe in magic I mean I believe in dancing. I believe in moving with our heartbeats, that we all have a bit of rhythm aching in our chests. When I say I believe in magic I mean I believe in scars. I believe in healing our wounds, even quietly, that we can create shields out of air. When I say I believe in magic I mean I believe in the big bang. I believe we are explosions, that we are made of stardust, that there is a drop of sunshine in each of us. When I say I believe in magic I mean I believe in sweat. I believe in salt, that we all can glisten, that we can melt and glide and shine. When I say I believe in magic I mean I believe in neurons. I believe that we are electric, firing across synapses, that we create our own sparks. When I say I believe in magic I mean I believe in ladybugs. I believe in wishes, that we make them just in case, and who’s to say they don’t come true after we’ve forgotten them? When I say I believe in magic I mean I believe in wombs. I believe in cradling close, that nests can be made of scraps, that we all learn a way of coming home. Desert Magic - Annabelle Stableford “Avada Kedavra!” Snape yelled, lunging out from behind the sandstone boulder. His black cape swirled in the red dust. Lupin, Ginny, and Hermione froze. The sky was a special kind of blue over the orange cliffs; the sand stung in their nostrils and watered their eyes; they did not know which of them had died. “No—wait—you can’t say that, it’s unforgivable,” I said, dropping Hermione’s accent to make sure my brother Sam, playing Snape, got the message. “Fine, but I’m still evil right now, okay?” Sam said. We all agreed, then kicked our feet in the dry sand as we wondered how to recover from our break in character. “Let’s go to Gringotts,” said Ginny, played by our family friend Liza. “I have a deposit to make.” Lupin, played by Liza’s brother Misha, jumped in: “I’ve heard rumors of a security breach. Keep your guards up.” Hermione, Ginny, and Lupin brandished their desert sticks as they turned to the pock-marked boulders, perfect for stashing gold deposits in. “Wait—and then how ‘bout I’m waiting there to attack,” Sam said. “And then how ‘bout I turn into a werewolf because it’s a full moon,” Misha replied. “And then how ‘bout you chase me and I have to retreat.” We “and then how ‘bout-ed” our way to our favorite boulder with large cubby-holes indented in the rock, where we took our places. As Ginny, Hermione, and Lupin deposited gold, Snape jumped out from behind a rock and yelled, “stupify!” Hermione fell back against the boulder, Ginny cast “expelliarmus!”, then all hell broke loose. Wands exploded, capes billowed in the wind, the battle raged. Darkness soon fell on the land of magic. Our shoes filled with sand and debris from the twiggy brush and our throats ached for water, but Hermione, Ginny, Lupin, and Snape carried on, riveted with adrenaline. As Lupin began writhing in the emerging wash of moonlight, a group of climbers walked down the path, heavy bags of rope and gear shouldered on their backs. They stared at us—our Crocs, our scraped skin, the sticks we clutched to our chests, the way we swished at cloaks they could not see. We took no notice, purposefully ignoring the amused glances the climbers exchanged with each other. “Muggles,” Ginny whispered to Hermione with an eye roll. They would never understand.

Goodbye

Luca Raffa
May 21, 2025

August/ September 2015 Although the nervous sweat evaporated from my skin in the high August afternoon, the driving sting of my salty fear still remained. The heat burnt me like it did the bitter grass in the fields—rusting under the merciless, almighty sun. On the eve of September, the rattling sighs of crickets hiding in the fields welcomed me; the crickets sang about death so beautifully. Amongst the fields, there it was: this cluster of white buildings, which appeared to me like castles. I walked towards the building with the golden bell, bright as freedom—it could almost be confused with the sun. The green doors of hope opened, and a man stood to greet me. His smile was big. He shook my weak hand: a firm, practiced grip. As our hands fell to our sides, his rolled up sleeves exposed the hair that grew wildly on his arms. He wore a blue dress shirt that erupted with sour sweat all over, tucked into a new pair of khaki pants and cinched by a leather belt to keep his belly in. Like me, I learned that Mr. Bates was new to this school. And at least that was something we could share. That September, Mr. Bates taught me and my boisterous peers how to greet one another. Give them your eyes. Give them your hands. Give them your words. I rehearsed over and over and over again until I had memorized this perfect display of human decency. Mr. Bates was teaching me how to navigate the spectacle of human interaction. He was teaching me how to belong in this world. * October/ November 2016 A layer of frost crusted the fresh decay of leaves that, by the evening, would continue to rot in the late October mist. The wind in the dark was nightmarish. It brought shivers to the trees, whose sick leaves would slowly dance to the ground, awaiting the night’s nip of winter. Like the trees I often trembled, alone in the dark and blind with nervousness. Stumbling up stairs, I would enter a bright room fresh with the rousing exuberance of youths I did not know. On opposite sides of the ballroom, the boys in their blue suits pretended to be men while the girls glistened in a resplendent rainbow of dresses. This was etiquette class. I learned how to waltz. The stiff clutch of my tie eased when I finally managed to approach a girl to dance during the first lesson. The question, sinking in my throat, at last burst forth frantically. My eagerness became our awkward foxtrot. She wore a taut black dress that complimented her smoothe, dark hair. Below her soft and secretive eyes, her face was scattered with rosette freckles all over. She leapt like a leopard into the night, forever disappearing from me––nameless. Each week, I danced with a new girl. I practiced introducing myself respectfully, meeting her elegant eyes, shaking her hand gracefully, moving my feet, touching my left hand to her shoulder, touching my right hand to her hip, swaying, dazzling. * December/ January 2017 At dawn, the dim glow of the moon was fleeting, the stars fading. The soft snow slept on the driveway like the powdered sugar that dusted my breakfast. The avenue was still, and everyone was inside still asleep. The wind yawned, releasing a sweet puff of life that wandered freely. The sun kissed its warmth on my neck. The cold embraced me too. At Christmastime, my family would drive ten hours to visit my grandmother. She was a round woman with a bullous nose, sharp eyebrows, and defiant eyes. She would summon me and my brother with a sputtering yell––boys, the food is ready––her way of saying that she loved us. The suitcases huddled ready in the shut trunk. The muffled sighs of the car and the blue fumes rising upward became one with the cool winter sky. The icicles stuck to the edges of the undercarriage melted into a puddle of slush black as charcoal. The car’s fresh leather seats were warm, causing the frost on my window to melt away and reveal the figure of my grandmother, small and motionless in the frame of the door, watching us leave. She was waiting for our promise to return again. Goodbye. *** In our youth, we are taught how to greet one another. It is an act of maturity, an act of integration into the world, an act of becoming. We learn to be actors who play our parts with projected voices and firm, dramatic motions. Our masks and costumes are charming. We follow the script.We perform ourselves. Yet no one ever teaches us how to say goodbye. Perhaps, letting go must be a truth then: a testament to our character, to our love, to the depth of our souls. We do not need to go to school or to ballroom dancing to learn how to say goodbye. It already glows in our hearts. Ultimately, life is an act of letting go. It is standing alone in the open doorway, the cold creeping inside, and silently watching those you love leave for new adventures. It is welcoming the uncertainty of when you will see that person again. It is the comforting pain of their absence, and the sweetness of your longing. It is the fateful pleasure of the unknown.

Paranoid in Detroit: A Retrospective Airport Guide

Elsa Eastwood
April 28, 2025

In the beginning, Delta Airlines created a 10am flight to Los Angeles, and I arrived early at my gate, enveloped in a net of peace, anticipating a night in my childhood bed back home, and the sun rose over Providence. But then the Intercom said, “Let there be a $1,500 airline voucher for any travelers willing to transfer to the 5pm to Los Angeles through Detroit,” and I awoke. Too good to be true? Perhaps. This morning would mark only the beginning of my chaotic pilgrimage. Here’s what I wish I had been told: Accept the voucher, but know what you’re getting into. Don’t lose yourself in visions of a restful Christmas vacation—you must first earn it. Your new flight is in nine hours. Text your dad: no longer getting home today, sorry. Listen to the charismatic British-Canadian rugby player you meet at the gate when he informs you that no one wins anything by standing patiently in line. Muscle your way to the front for your updated boarding pass. Find creative ways to pass the time while you wait. Stare at the stretches of gray carpet, the seas of hurried bodies. Treat yourself to a $16.50 meatball sandwich, which will inevitably taste like wet cardboard. Find a nook and doom-scroll into oblivion as time crawls, turtle-like, past you. Apologize to the universe for cursing the droning intercom voice that announces each delay. Airport attendants have dreams and families. Attempt to restore your karma. Once finally on board, strike up a conversation with the young, bearded Amazon employee in the neighboring seat. He may buy you a small bottle of airplane bourbon and confess to you his aviophobia. Comfort him, but know you’ll be on the tarmac for another three hours and that he’ll be drunk enough by then not to notice he’s airborne anyway. When your phone informs you midair that your connection out of Detroit has already departed, accept the truth: no airport sprint nor desperate plea will get you home today. And don’t say you hate Detroit. It doesn't want you there either. After you land, an agitated agent at a Delta “Help” desk will claim she can’t rebook your flight or help you find a place to sleep. Ignore her. Get a second opinion and an off-the-freeway motel voucher. Don’t talk to irritable strangers at 1am on the airport shuttle en route to said off-the-freeway motel. Hop across the lily-pad stains on the lobby carpet to lighten the mood. On the way to your room, try not to picture bodies in a range of consciousness behind each door or an eerie solo violin accompanying you down the hallway. If you must, have a makeshift weapon ready. You’ll hear water running when you enter. The bathtub is full, the faucet stuck. Estimate how long you have before a flood consumes the room. Futz with the thermostat to no avail. 30°. Nice work. You’re sleeping in your clothes. Never rely on a fatigued and hungry mind. There is no skeleton hand on your pillow, no gelatinous tentacles emerging from beneath the bed. That languid, naked woman on the windowsill? A trick of the light. (Deadbolt the door twice.) Sacrifice your vigilance for some shivery sleep. Imagine yourself somewhere more forgiving—the dentist’s office or DMV waiting room, the kitchenware aisle of a suburban IKEA. Wake up to a 5am alarm. Brave the snowstorm, the lonely motel muffin, the shuttle back to the airport. Drag your bag the final few yards. And once you’ve collapsed into your seat and let your eyes fall closed, find solace in the Los Angeles skyline appearing against the darkness of your eyelids, the weight of a new $1,500 in your pocket, as the plane wheels roll steadily forward.

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