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Featured Pieces

On MRI Machines, Cabinets, and Freshman Triples

October 16, 2025
Ina Ma

Things they don’t tell you about science: $110. They give you $110 for an MRI study. Or they do tell you, but only after you’ve read the newsletter and clicked the buttons and sent the emails, curious because you never had an MRI before. Then they tell you the magic number you will sell a few hours of your time for, to satiate your curiosity. You write about yourself in the email: 18 year old female, normal and corrected to vision, meets all requirements for the study, no issues, you are nothing less than perfect. Sidney E Frank Hall, opened in 2006, is a beautifully modern glass building that should be put on the front page of a brochure for Brown. The MRI Research Facility is in the basement of SFH, beneath the crushing weight of the five-story, 169,000-square-foot structure. You can touch the ceiling if you stand on your tippy toes. They will put you in an EEG cap and spend two hours gelling you up. They will press the metal nodes against your skull and it will teeter between pressure and pain. The gel gets inserted with a plastic syringe and forms an uncomfortable cool wetness between your hair and the cap. You may fall asleep between the methodical workings of two strangers. It is okay if you have a thin metal wire behind the rows of your teeth, permanently bonded to keep your teeth straight after two years of orthodontic treatment. It is okay if you forgot to mention it the first time they go over the screening questions because you will remember it the second time and your orthodontist will send them an email. The researcher says it is okay and your orthodontist says it is okay. You will still worry that the MRI machine will rip it out of your mouth with its magnetic force, and then your teeth will no longer be straight. The MRI machine is beautiful. She is sleek, white, and powerful, illuminated by a halo of soft yellow light. She thrums beneath your feet because she is alive, sending quiet reverberations running down your spine. The facade is ruined by a gray line of fraying duct tape running down the inner seam of the scanner. MRI immobilizers made of foam and gel slot you into place on the patient table. You feel like a mounted animal, ready to be stuffed and posed—the immobilized yellow perch screwed to driftwood, the paralyzed bluegill flush against his plaque. The patient table is thin and flimsy plastic quaking beneath you as you are mechanically moved into the all-encasing white of the scanner. They cover your body with a white sheet to keep you warm. You are a draped cadaver being slid into the mortuary cabinet. The. MRI. Tube. Is. Smaller. Than. It. Looks. They can taste your discomfort. They are kind. One offers to play a video of fish as they set up. You will watch the video of fish. The fish will swim when you cannot. You ask if you can be taken out between the assignments (no), if they can talk to you during the assignments (no), if you can wiggle your head a little (no). Once you are done with your silly questions, the machine will rumble to life. The song of the scanner swoops between pitches, high to low, beeping to booping. Between each bar the scanner shakes. You are lulled by the machine. Guilt. You aren’t supposed to be dozing off, but you are. Trapped between the sterile white walls of the scanner, your mind is the only thing that can spin, so you sleep to escape. You try to summon the comfort you found in small spaces as a child, squeezing into cabinets and sliding under the bed, but it doesn’t come to you. Don’t let the nausea overpower you. Click your button instead. Click. Click. Click. They will pull you out. You won’t be in there forever. You peel the EEG cap from your head. The gel will have begun to dry and crust on your scalp. You will be annoyed at having to wash it out later. In the moment you will only be able to feel the crashing waves of relief. It surprises you that what surprises you is they pay you in cash. You were expecting something digital, or at least a check. When was the last time you held so many crisp tens in your hand? You will take a nap afterward. about growing up: There exists a hexagonal wooden model a little less than 30 inches in all dimensions and of a deep walnut hue. You are young, so you are only two cabinets tall. The cabinet has a pair of inset wooden doors, each decorated with an ornate curved brass handle. The doors were engineered in such a manner that you can only open one from the outside and have to push the other open from the inside. It takes a tug—the cabinet resists. Online quotes of similar prototypes go up to $1,000, but knowing your parents and the timeline of cabinet acquisition, it was rescued off the side of the road or from a neighbor’s driveway yard sale. It is fun to play pretend. You meticulously move the vintage holiday mugs full of cables, discarded cardboard children’s books, and other miscellaneous items out of the cabinet. The cabinet is your den and you are a mother fox, the cabinet is a mountaintop cave and you are a dragonet, the cabinet is safe and crushing comfort. Slowly, the cabinet will shrink and the space between your skin and its walls will grow smaller. One day, you realize you cannot fit in the cabinet at all. You are hit with a feeling of loss but you do not know what you are missing. about dorms: Some triples are 537 square feet. Some triples are 259 square feet. Some triples have the floor’s electrical closet jutting into the room, making the narrowest part of the room 38 inches wide. Just enough to slot a twin XL mattress. Some triples are too small for three people. Once you move into your dorm, it will be even smaller than before. Your things seem to inch forward, taking up more room until you periodically push them back into place. They are crowding for more space, your space, so you will have to fight for it, shoving clothes into wooden dressers and memorabilia into plastic gallon bins. When you lie on your 38 by 80 inch twin XL at night, you imagine you can feel the walls of the room move to the breaths of your roommates. Your bed is pushed flush against the wall and the wall pushes back—no matter the season, the painted cinder block is strangely chalky and clammy to the touch. You imagine the wall is sweating. Your third roommate moves out. Somehow, the room feels larger and smaller than before. Her part of the room is crossed off with an imaginary line and when you step over, you can feel the oxygen atoms that long exited her lungs rattle around yours. There is nothing left but bare matress and uncovered tabletop. She had the narrowest part of the room. Maybe that’s why she left. The ceiling is stooped so that if you sit on the bed and stretch your spine, you can brush the roof with your fingertips. Neither the overhead fluorescent lighting nor the narrow windows can reach into the dark corner. about all of the above: Forget. Spend the $110, move the cabinet to the garage, pack your things and relocate. Forget the jarring roar of the scanner, the feeling of wood grain against your skin, the sweaty cinder block walls. Fact: you will continue to be forced into spaces too small for comfort. You will never stop growing out of your safe spaces. Every refuge is temporary. Grit your teeth, claw your way out, turn the four alien walls into your home. When trapped, learn to recognize when you should muster courage to stomach the discomfort and when to force the space to fit you. Understand when to move on, and you will burst out of the wooden cabinet that can no longer contain yourself.

Most Recent

Most Recent

A Few Impressions

Juliet Corwin
November 6, 2025

– CT, left wrist – I drove to Connecticut to get my first tattoo. The studio, smaller than its parking lot, was tucked away in a gray fold of Stamford. It had been a drizzly morning, and clouds sighed as I walked to the entrance. Timidly, I leaned against the door so it wouldn’t slam shut and scanned the space for a pair of eyes to meet mine. It was my first time inside a tattoo studio, and it showed. Two feet in front of me, a woman lay on her side in a shirt, underwear, and Doc Martens. She chatted with her artist, who hunched over a spread of ink covering the woman’s thigh. The walls were covered in overlapping sketches and prints. Sitting by the only other station in the room was a large man with a permanent frown and huge biceps. I gathered that he would be my artist, and moved toward him. His frown deepened when he saw me. He spoke in short sentences, his voice low and quiet. I showed him the tattoo I wanted and presented my wrist to draw on. Opting for a purple marker, he splashed the design onto my skin way too big. I asked if he could make it any smaller. His eyebrows lifted, but he rubbed away the first drawing and drew it again, a bit smaller. I looked at him pleadingly, too nervous to ask him to change it again. He took the hint and resized it once more. It was tiny, barely a quarter of an inch in height and width. I smiled, and his mouth flattened into a straight line. He prepped the ink and the tattoo gun, and didn’t wear gloves. It took about five minutes to ink the design using the thinnest needle he had. He wiped the excess ink and a few drops of blood from my skin, and I could see the little lines now adorning my wrist. It was perfect. He explained to me that he typically asked clients to pay upwards of $100, but for this he wouldn’t charge more than $40. I paid him $60 and thanked him again. He nodded and pressed one of his sketches into my hand. I had been admiring it while the needle dragged along my skin. It was full of color and soft lines, a warm swirl of tones. As I stepped out the door, I saw that the woman getting the leg tattoo was now eating takeout with her artist. I walked back to my car, watching the clouds inch lower. My wrist stung as I spun the steering wheel home. – MA, right ear – For one of my later tattoos, I filled out an online appointment form for a studio in my hometown in Western Massachusetts. I got matched with an artist named Ian. The space was big, with a lower level for tattoos and an upper level for piercings. There was a waiting area with high ceilings and tons of plants. Ian emerged from his studio and greeted me with a warmth I trusted. He was bald with a long, white beard and eyes that crinkled when he spoke. Ushering me into his studio, he told me to hop up on the table and rolled his chair over to join me. The design I had chosen was simple, and I wanted it to sit behind my ear. He used a disposable razor to shave the edge of my hairline. As the blade scraped at my scalp, we chatted about tattoos I’d gotten in the past. We sized down from the first print he had made, and then he carefully peeled a purple outline onto my skin. He handed me a small mirror that reflected into a big mirror on the wall so that I could see the placement. I told him I liked it. He instructed me to stretch one arm out past my head and rest my cheek on it, lying on my side. The tattoo took forty minutes to ink, and he spoke the whole time. He asked me about myself, about school, about the tattoo’s meaning. I tried to answer in a calm and steady voice despite the pulsating needle bouncing against my skull. Several times he praised my composure, saying that most clients who got tattooed behind their ears can’t sit very well. It wasn’t hard to understand why. When he was done, he told me to take my time getting up. I ignored his advice, pushing up fast and immediately regretting my choice. The sudden absence of vibration on my head left my vision blurry, and I felt lightheaded as I walked back to the waiting area to pay. The person at the register was bubbly and asked loudly if I loved my new ink. I did, and told them so, paid and tipped Ian. I walked out onto the streets of my childhood, my new ink still buzzing quietly. – MN, right hip – My favorite tattoo was inked in Minnesota. A cold Thursday night in December, I arrived at a brightly lit studio in Minneapolis. I was a few minutes early, and sat on a very hard bench in the waiting area. My artist was finishing up with another client, so I pored over the design I’d asked for again. The appointment didn’t start for another forty minutes. When my artist finally came over and said she was ready for me, she seemed annoyed. I showed her the design and she scowled at me, snatching up her iPad and scribbling. She asked me if I had drawn it myself, which I had. After some more silent drawing, she held the iPad toward me. She had taken my (admittedly unskilled) design and created a much better tattoo. Her lines were clean, the shape gentle. I thanked her, she sighed. I wanted the tattoo on my hip, but because of the weather I’d worn sweatpants over my shorts. She rolled her eyes as I took off my sweatpants, pointing out that I could keep one of the legs on if I wanted to. I took the suggestion. When we sized the tattoo, she gave me three options. I picked the middle one, and she placed the outline on my hip. I walked, half-sweatpantsed, to the mirror and watched how the design moved with me. I loved it. I got up onto the table, lying on my side as she instructed. She inked in silence, except for a frustrated question about whether I was holding my breath. I had been, without realizing it, and tried to slowly exhale without annoying her further. When it was finished, my new ink looked delicate and natural on my skin. It is still the best tattoo I have. I carefully pulled the leg of my sweatpants back on over the wrapped ink. As I walked back into the Minnesota snow, my hip pinched with each step.

Two-Day Trip Home

Elaine Rand
November 6, 2025

There’s a new fence in the yard where the trellis once kissed the ground, a padlock on the gate in the alley left by an admirer or a forgetful biker. The front door of the house is newly painted navy blue, but the latch still sticks. An assortment of sunscreen bottles, displaced from the back porch, live in the garage alongside the dead dog’s bed, which has been inherited by my parents’ new one. Sunscreen spread on skin, bug spray interrupted by the sound of barking. I throw the puppy a ball, and she runs around the periphery of the yard, still chasing something invisible long after she has caught it in her mouth. Once, we pitched a tent here, but the pea popped up beneath my back. The tent’s been lost for a decade now. Dirt on the lawn chairs, dirt under fingernails, plastic sacks of mulch stacked tall. A smear of Indiana soil on the back steps to be powerwashed come next year. Inside the house, hairballs nestle in the gap between the refrigerator and the linoleum. The countertop is home to packets of tuna, a plastic Brita pitcher covered in hard water film, recalled pistachios yet to be thrown away. On the wall hangs the prim calendar, which still reads “March” in June. On the floor, WD-40 and Clorox wipes share real estate with cans of wet food and salmon dog treats for brain health. I can hear the nettles rattling outside. They’re strewn along the berm so the puppy can’t romp without getting her short legs caught. Through the window, there’s the redbud that sprouted where the garden patch used to be, more tenacious than the tomatoes. It towers over the ghosts of withered vines, the home-farming love fest brief and barely remembered. There is honor in an intact ear, one without the cartilage pierced—my mother said so long ago. But is there honor in an ear that burns? Both of mine turn bright when someone’s grandma asks me if I’m single. She showed my picture to her son. Lucky that breathing fire with a closed mouth leaves the tongue’s flames extinguished. I smile and deflect, teeth thick with ash. Tomorrow, I will drive away, “Wide Open Spaces” on the stereo. No flat land precipice to fall from anymore. The voices haven’t changed. No new timbres, no unexpected inflections, only the occasional quiet indignity. My shadow informs the conversations. Hello to the teenage neighbor I babysat when she was three and I was 12. Hello to my best friend’s brother, who has forgotten my name. Hello to the photo of great-aunts Elaine and Madeline on the mantle. Goodbye to the swimming pool by my elementary school; I used to leap into the water again and again. Goodbye to the cornfield, razed to build a strip mall, and the strip mall, minced and bulldozed to make room for a high rise. Goodbye to the uncertainty that once roiled inside me in the neighborhood where I used to live. I’ve juiced every drop I can from this place. When I take a sip, I taste only the dregs. Two days ago, I boiled soba noodles and cut hot peppers and cilantro for lunch, snapping carrots in half as men sprayed the dead trees outside with red paint and ran the chainsaw. Today, the radio on the porch plays a couple seconds ahead of the one in the living room, the sponsorship message echoing as it sings: “Committed to building a more just, verdant, and peaceful world.”

A Barely Legal Guide to Seasonal Waitressing

On restaurant work and gender relations
October 31, 2025

During your first shift, you will be sentenced to folding silverware into napkins. A test to see if you’re cut out for repetition, the practice will soon become ritual. Take refuge in this menial task on days when your coworkers commit to telling and retelling their recent sexual escapades. There’s no earthly reason why you should know that your middle-aged boss has a penchant for older women. Innocently enough, a bartender at your restaurant may slip you gifts: kombucha, a work of bell hooks, a bracelet—your relationship will meander into allegory. Proceed with caution. When asked how he filled his day, the same bartender might tell you that he “sipped espresso, smoked a cigar, and watched a snail eat a leaf.” When retelling the story to your friends, you will have to insist through giggles that the quotation is direct. Don’t tell them the other things he said. If your manager is acting a little erratic today, he is likely on the come down from an unsavory adventure he took after closing last night. Watch for signs including an increased volume of arguments with the kitchen, palpitating eyelids, and a lowered physical inhibition. He will spill while clumsily showcasing how to pour a margarita with one hand, but beam at his tricks, and he may tip you out of the bartender’s pool. You have precisely one week to get in the good graces of the kitchen staff. Spark conversation in whatever broken Spanish you can eek out. Laugh at the jokes that translate awkwardly into English. Take pride when the head chef calls you “mija.” First uneasy at his kindness, you will soon determine his intentions unsullied. Soldier through incessant teasing along the lines of Hey, remember me? It is best practice to lie and nod. Apparently, the type of men who take their dates to upscale patio bars are also the type to flirt with their barely legal waitresses right in front of them. A hairball sensation will begin to fester in your gut, one that you will fight back into your esophagus when you laugh at his unfunny jokes and nod when he makes no sense. Don’t cough it up. The new 20-year-old chef may slyly pull you aside during rush and ask for a shot of tequila. You will for once find it pathetically endearing—the bartenders will not. He will be fired within three days, and you will feel inexplicably at fault. He wore star patches to cover his pimples, patterning his face with innocence. As the months progress, you will notice a disturbing, albeit useful, pattern. Some days you find yourself crunched for time, hair frizzed from bike rides and lake dips in the summer warmth. Other days, you will bask in the silence of your sun-spotted car—curls tamed, lips painted, cheeks expertly flushed. Take a moment to rehearse a well-placed smile in the rearview mirror. On these evenings, customers will be much more forgiving when the kitchen is running behind. Bat your eyelashes for an extra 5% and don’t think about Gloria Steinem. Whiskey, sugar, bitters, rock, twist. After countless slow hours spent leaning against the bar, you will learn through osmosis to make an Old Fashioned. Carajillo, Sex on the beach, Negroni, Lemon ball: your new party tricks. You never touched the bottle. You never crossed the line. You never would. As the paychecks roll in, guilt will thaw into acquiescence. Exhale your bitterness as the hairball in your stomach softens into the lining. You will exit the summer with an outlook half empty, but a wallet half full.

Buried Alive – Screams of a Stifled Voice

Ava Satterthwaite
October 23, 2025

10:32 AM: drilling, grinding, sawdust coats my tongue. i am watching a film – a monochrome mouth moves in silence. a man shouts through the static, his words foreign, unintelligible. the reel flickers. barbed ribbons of cornflower blue obscure the scene, coiling around cranes and metal hooks, colliding with rubber-gloved hands, cutting between construction men in blue. is this show… interactive? i’m in the viewing room, on the table. back and forth and back again. 10:33 AM: the drill closes in. i am concrete: jaw locked, limbs tethered to the table. unable to move or breathe. unable to scream or flail or convince the construction men i am still alive. an entire orchestra of stars shine above me, humming a metallic shrill and showering me inan ostentatious sterilized haze. the conductor calls, “instruments sterilized… bone saw….” screeching. more shrilling. a sudden stabbing sensation, a teeming mouthful of metallic crimson. i flinch – this band sucks. i smack the cold leather below me; the curtains close on cue. 8:29 AM: “No allergies to medication? No food since 12 AM? OK, good… Well, I recommend a Vidocin waiver… She’ll have some soren— no? Fine. Insurance card, please.” I sink back into a tattered cloth chair, gaze fixed on a 1980s Wheel of Fortune rerun. Between Sajak’s comb-over, the wooden TV stand swelling with matted wires, and the stiff faux cactus in the corner, I feel like I've fallen into some neon-crazed, cobwebbed wrinkle of time. Mom offers the card and sits beside me, muttering under her breath as she scribbles a second, third, fourth signature on various forms. 8:47 AM: I take shallow breaths, clammy hands trembling as I scan the waiting room. Phrase: Five Words, 21 Letters W A _ I N G _ P F R O M A _ A D D R _ A M “Ava, come follow me.” How fitting. I walk toward the nurse and exhale as Sajak’s laugh and the dense smell of mildew dwindle into oblivion. Soon, I’ll be dreaming, then delirious with a mouthful of gauze. Soon – it’ll all be over. 9:00 AM: The door creaks. A man in starch white enters – his tall, refined frame harsh amid cartoonish bunnies and fields of flowers sketched on the walls. His smile is courteous, if stiff. “Morning, Ava. I hear you’re our wisdom teeth case today. Junior in high school?” Still scanning the sallow sunflowers behind him, I nod: “Yeah… starting college visits soon.” “Big milestone! License too, then?” He stretches into some latex gloves with such vehemence I wince. “Hopefully. I keep failing the parallel park.” “Ah, double freedom,” he retorts, voice now muffled behind a creased blue mask, “It’ll come.” I hesitate, then: “Um – one thing. I’m a natural redhead, and I read we sometimes need more anesthesia? I think I do, after all the cavities and root canals I’ve been half-numbed for.” I smile sheepishly, tracking cracks in the tiles beneath my swinging legs. “I don’t want to feel a thing.” More amused than concerned, he snickers; “You want the good stuff, huh? Don’t worry. You’ll be fine.” A feverish flush overtakes me, knuckles whitening as my fresh French manicure claws into the armrests. I purse my lips to nothing but the echo of crinkling paper and suffocating smell of antiseptic; the door slams before I can mumble another word. 9:05 AM: The room is heavier now – harsher. Even the fluorescent overheads seem fiercer, like electrified clouds infested with hail, enshrouded with an acute sense of dread. I half-expect the bunnies to flee the fields and burrow somewhere warmer, somewhere sheltered from the commotion. The storm brews swifter as I look down to two cold hands – mottled with bruises and blue veins like marble – still fastened to the vinyl-covered armchairs. I was Rose in The Titanic: the bitter Atlantic circled on all sides, but by God, I would hold on to that drifting wood, that stiff vinyl. If this room was a hailstorm, these armrests were my wreckage: a connection to the concrete, to solid land – a lifeline averting an ocean of fear from swallowing me whole. “They’re professionals,” I reassure myself, “trained doctors who do this all the time. I’ll be OK.” I’d identified five items I could see (bunnies, sunflowers, Purell hand sanitizer mounted to the wall, some knives and hooks on a steel, cafeteria-esque dish – the scariest school lunch you’ve ever seen) and two of four items I could touch (the torn sleeves of an old, moth-eaten sweater and the vinyl film on the armrests, of course) when a nurse knocks. She heads for the Purell and asks for an arm. I feel a quick prick, intentionally averting my eyes from the needle to resume the senses’ ritual (two more items to touch… could I fiddle with the IV line? brush the ribbed adhesive at the insertion site? no, that’d be weird). She smiles, gaze flickering to my still-trembling hands, “This’ll calm you down a little, sweetie, OK?” I offer a grateful nod. 9:10 AM: 28. In five minutes, I’d watched the monitor sink from 102 to 83 to 65 (Goldilocks’ zone, breath looser and mind mellower) to the headache-inducing 40, mind-bending 34 (when the bunnies stirred and a breeze made the sunflowers dance – ears smothered in the sound of a million little teeth munching on grass), further and further down until 28 BPM. At 28, neon snow bathes the bunnies, the room an old screen obscured in static. I envision the cactus, the Wheel! of! Fortune! theme, a crinkled People magazine (June 2000 edition, Jennifer Aniston on the cover) and mourn the naiveté of 30 minutes earlier. The tiles teeter as the room tornadoes around me; I seize an armchair with such force the whole chair rocks. Screw Rose, I am Jack: watching myself drown from the hail-ridden clouds above. I sob in slow-motion as my frostbitten hands unfetter from the armrests – Jack’s wooden door unreachable. I am desolate. I am defenseless from fate. A handheld mirror lies slanted on the counter beside me. I search its reflection for what seems like hours. I search this ashen face I once knew for some shred of life – a sniffle of the nose, a curl of the mouth – but to no avail. For a second, I wonder if I’ll die in the smeared reflection: a finale akin only to Narcissus’. After all, 28 isn’t so far from flatlined. Then, 28 climbs back to 33, 34, 42, the sacred 65. I’m not sure what time it is now – or whether it’s been hours, weeks, decades, seconds. I sure as hell am not calmer, though. 9:12 AM: The nurse returns. I ask her the time, what’s in the IV, “will I be under soon?”, each word clear and well-articulated. She’s startled – horrified: this, apparently, was not the desired result. “Wow! I’ve never seen someone so lucid on Midazolam. I– I must’ve halved the dose somehow.” Before I can remind her I’m less reactive to sedatives – before I can tell that snobbish doctor I told you so – she rushes over. “Well, I guarantee this one will work. You’ll be knocked until it’s time for home and ice cream.” She hastily injects another needle, “Count from ten for me.” 10… 9… 8… 7…. Curtains close. A POST-OP REPORT: Recorded 10/02/2022, 11:51 AM EST Patient Ava J. Satterthwaite, 16F, experienced intraoperative awareness and partial temporary paralyzation during wisdom teeth extraction. At 10:32 AM, Dr. Smith [real name omitted] observed REM, increased heart rate, breathing rate, and sweating. Additional anaesthesia was administered at 10:33 AM. Prior to operation, patient expressed concern of a potential need for additional anesthesia. Patient reacted unusually to pre-operative conscious sedation, appearing tense and alert rather than lethargic. Patient was administered a typical dose of anesthesia for her size and exhibited anticipated reaction in due time. There is no explanation as to why this dose was not effective throughout the procedure, but patient has not mentioned recollection of said episode – we do not intend to inform her or her mother, to ensure smooth mental recovery post-procedure. Patient exhibited minimal post-procedure reaction, displaying an immediate spatial awareness and producing well-articulated speech. Patient refused a wheelchair and walked to car without swaying or difficulty… indicating provided anesthetic dose may have been insufficient. Quick metabolization of anesthesia was recorded on her chart for future reference. NOV 05, 2022 | 3:02 AM: I am thrust awake, rattled for the third time this week with the acute sensation of suffocation. I feel smooth silk bedsheets crowded in clusters between my clammy hands and exhale. It’s 30℉ outside – bedroom window adorned in chromatic streaks of snowflakes and steam – but I am sweltered. A dense bead falls from my drenched forehead onto the satin. I drink water and stare into the darkness until my shallow breath has thickened. I’ve been buried alive. Again. This ritual started somewhere around mid-October. Initially, I attributed the nightmares to the stacks of wool and fleece and fur I practically drowned myself in every night. So, I switched to silk. For a week, I dozed under one thin linen blanket to the cadence of chattering teeth, waking still at 3AM, smothered, violently shivering. Sometime close to Halloween – when the evening’s installation featured a cornflower blue man and two matted bunnies – I connected the dots. I have lived in fear of doctors since: terrified to miss a stair, catch a cold, drink too much soda – terrified to live.

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