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How Much Are You Willing to Lose? Risk Culture and Elite Athletics

August 2, 2024
Annika Coleman

“You can only really appreciate life if you're putting yourself into places that risk it.” – Richard "Milky" Quayle Imagine a bullet. In the Isle of Man, a sleepy island in the Irish sea studded with rocky coastlines and medieval castles, a speeding bullet dares to rip through the warm May breeze at 195 miles per hour. Its path is clean, determined, graceful, powerful. As if immune to the forces of drag or gravity, it flies without apprehension. The bullet is invincible. The bullet is free. Yet, one feature mars its perfection: the bullet has shoulders. “I just caught the rock face with my shoulder. I just snagged it, pulled me into the wall on the right. And then I flew over and hit that [wall] on the left.” Richard “Milky” Quayle is a human bullet with shoulders who dares to race motorcycles at 185-200 miles per hour in the Isle of Man Tourist Trophy (TT) races. Growing up on the Isle watching races since he was a “wee boy,” TT has been a central part of Milky’s life for as long as he can remember. Starting his racing career at 22, he soon became a champion, winning the 1994 Supersport, 1996 250cc Manx Championships, and the Isle of Man TT in 2002. Yet, in the 2003 TT race, he came to learn that bullets aren’t invincible: entering a corner too early, Milky crashed spectacularly into the rocky barrier beside the track, flesh and rocky foundation flying radially in all directions. The crash left Milky with a ruptured spleen and punctured lungs. Milky isn’t the first to be injured in the TT. To the contrary, Milky is lucky not to be dead. Since the event began in 1907, 250 racers have been killed, with six dying in 2022 alone. “The only way of making this event safe is to not do it,” says Paul Phillips, the TT Business Development Manager and Director for the last 15 years. Yet, despite the risk, the flashy collision, and the ruptured spleen, when asked by a reporter in the hospital if he planned to stop racing, Milky responded with clarity: “It's the best thing in the world anyone could ever wanna do. Why would I want to stop it just because it hurt me?” Asta-Sollilja Farrell’s career as a gymnast began at the age of 2 with “mommy and me” tumbling classes. Her career as an injured gymnast began six years later: at eight, she chipped a bone on the side of her foot, resulting in soft tissue damage and a mossy tinge that still taints the skin thirteen years later. At age ten, walking became a challenge: “I started having hip issues. Both of my hips were dislocated and the tendons were messed up. I was in so much pain all the time,” Asta said. “I was in fifth grade.” Since then, Asta has suffered from at least one or two major injuries a year without fail, including an ACL tear, multiple torn ligaments in her left ankle, and six concussions, totalling to approximately 24 major injuries. At the age of twenty-one, Asta has made it, proudly representing the senior class on Brown’s Varsity gymnastics team. 19 years later, the spunky toddler with bouncy brown curls who always dreamed of being a D1 athlete can finally say she is “living the dream. ” Yet, for Asta, dreams have never come without pain. “I have been in constant pain, every day, from the second I wake up to the moment I go to sleep, since I was eight years old. I still have nightmares about retearing my ACL two years post injury because of how much that feeling of crunching replays in my head,” Asta said, her eyes glazed over with resignation. “Multiple doctors have told me that I have to get my foot fused post-gymnastics. I probably won’t be able to walk past the age of forty. That’s my cut off.” However, Asta is not worried about her body post-gymnastics: “I don’t care what happens to my body as long as I can get through this season. In my mind, this is so much more important to me than whatever happens next. I don’t need things to be amazing afterwards, I just need them to be amazing now.” “This is nuts. You know that right?” says journalist Bill Whitaker during his 60 Minutes interview with Milky. The racer giggles at the comment, his perfectly slicked blonde mohawk leaning in towards the camera, exuding a mixture of agreement and pride. “Well, it’s fun though. It’s fun, Bill.” “Let’s unpack that a bit.” My next-door-neighbor Jasper’s favorite line — usually used comically to reference low-stakes gossip — slowly flickers to the front of my mind. I identify as a high-level gymnast turned broken gymnast turned diver turned concussed diver turned medically retired, dazed and confused, permanently-in-pain athlete no longer. I have lived teetering on the border between “within” and “without” elite sports for over thirteen years. As a dual citizen to two distinct worlds, living and listening to athletes’ stories — of success, injury, loss, redemption, pain, guilt, in a multitude of different orders and permutations — I have long viewed elite sports with a critical eye. Hearing the experiences of the human bullet and the gymnast have led to several of my lingering questions beginning to crystalize: How does risk, pain, and injury become normalized in sports? What assumptions lie behind the expression that athletes are “insane” or “nuts”? Is participation in elite athletics justified? “Let’s unpack that a bit” says Jasper. Ok, Jasper. I am scared, yet I am ready. Let’s unpack: what lies within the complex relationship between risk, sports, and glory? Watch the Hero Go Past The practice jumps of Mikhail Baryshnikov, the preeminent male classical dancer of the 1970s and ’80s and principal dancer of the New York City Ballet, spark but one word in my mind: defiance. His pointed toes flying feet off the ground, his kneecaps locked to straightened perfection, it appears as though the laws of gravity apply differently to his slender body. The power in his quads and seemingly effortless coordination of his limbs is almost unnatural, almost not human, or rather, superhuman. The “superhuman” complex is instilled early and regularly reinforced in athletes by both their athletic community and by larger society. Julia Grace-Sanders, former collegiate swimmer at Texas Christian University, recounts that “from a young age, I was told that I was special.” She continues, “My peers stared wide-eyed when I told them how many times I practiced a week. I secretly enjoyed their surprise, and felt affirmed by the astonished reaction.” As a former high level competitive gymnast, I lived a parallel experience: a deep pride grew within me as my middle school teacher’s face flashed with astonishment after learning I spend 24 hours a week in the gym. I reveled in the wild applause of my classmates when I did cartwheels or back flips in PE. I distinctly remember feeling I had a double identity like Kent Clark or Hannah Montana: civilian-student by day, superhero ninja in a bedazzled leotard by night. By the time they reach the collegiate or professional level, athletes have become accustomed to the deep-seated rhetoric that designates athletes as “beyond human” and often propagate this message themselves. As a freshman on the Brown Varsity Swimming and Diving team, I was stunned when our coach read the final line of our team contract aloud: “You must decide whether you want to be an elite athlete, or just another student who goes to Brown.” While the seeming paradox of placing the words “just” and “Brown student” in the same sentence left me dizzy, the fact that not a single girl in the room batted an eye before signing made it clear how commonplace this “glory rhetoric” is within the athletic community. Beyond the pool or the court, Varsity athletes at Brown also openly refer to students who do not partake in Varsity sports as “NARPs”: non-athletic regular people. Slurs for non-athletes are not unique to Brown, with terms such as “muggles” (Stanford), “normies” (Utah State University), or “civilians” (Eastern Illinois University) floating freely across many college campuses. These derogatory terms function to create division between athletes and non-athletes, who are deemed as the inferior “other.” These divisions are publicly visible in Brown dining halls: it is common campus knowledge that the long-table in the center of the V-Dub is off limits to non-swimmers from the hours of 5:30-7pm, that no NARP flesh shall touch the men’s wrestling team’s headquarters by the exit at the Ratty, and that football can formally reserve an entire dining hall quadrant that will be (literally) roped off with red tape. Parties are similarly segregated, with athletes commonly organizing “mixers” with other Varsity teams in which, as recounted by Brown athletes Michelle Guo (swimmer) and Tevah Gevelber (cross-country runner), team members are explicitly told “don’t bring NARPs.” The subconscious assimilation of the “superhuman” complex may also surface unintentionally. For instance, Milky casually glides over the phrase “watch the hero go past” when describing where fans can sit to watch the TT racers, seemingly unaware of the fact that he explicitly refers to himself and his competitors as “heroes.” In a similar vein, Bill Whitticker’s comment “you’re nuts” indirectly validates this notion of the racer as a superhuman “hero” able to push their body beyond the limits of “normal” human ability. The pride that fills Milky’s smile and bobbing mohawk makes clear that, among athletes, being “nuts” is considered a title of high honor. The Sacrifice of Being Superhuman “Guts. Grace. Glory.” is the mantra of USA Diving, the governing body of the sport of springboard and platform diving in the United States as recognized by the Olympic Committee. These words, stamped on a white cloth flag next to a blue and red stick figure flying through the air in a pike position, are the first thing to greet me at dive practice everyday. Waving in the winds and rain of California winter, this catchy alliteration instills but one message in soggy, goose-bumped, exhausted children in swimsuits: their “glory” is the fruit of sacrifice. “Glory” is earned from taking repeated bodily risks until hurling yourself off of a 3 meter springboard appears effortless. “Glory” is earned from exuding courage and resilience in the face of fear, pain, and exhaustion. The high honor of transforming into the heroic athlete does not come without a price. This flag and the word “sacrifice” come to mind when I see a soggy, panting man in the gym donning a shirt with the following white block letters screaming off of the black fabric: “PAIN IS WEAKNESS LEAVING THE BODY.” Originating in the US Marine Corp, this phrase was historically used in recruiting propaganda to encourage youth to enter the US Armed Forces. Taken up by the fitness industry, this line is now found on sports shirts, appealing to the “no pain, no gain” mentality deeply embedded in sporting activities. The “three G’s of diving” alongside the screaming T-shirt serve to exemplify how the aforementioned establishment of a superhuman identity functions to glorify risk taking, normalize pain, and stigmatize weakness. As stated by Michael Atkinson, Professor of Kinesiology and Physical Education at the University of Toronto, in his book The Suffering Body in Sport, sport “socializes young athletes to nearly blindly accept the risk of pain and injury inherent in sport participation,” embracing “pain, injury, and risk as a ‘badge of honor’” that “serves as an important social indicator of one’s commitment to sport excellence.” This culture of risk in sports results in characteristic behaviors in athletes facing pain that include consenting to play while injured, concealing or refraining from reporting injury, and experiencing feelings of pride when training or competing through considerable pain. Asta recounts having done all three by age 14: “The week before nationals, I busted my ankle and could not walk. I was crutching around the house.” Yet, to Asta, raised from the age of two to be a “warrior girl” who perseveres in the face of pain, missing the competition due to injury was not an option. Instead, Asta’s reaction was instinctual: “I started taking six Advil a day on an empty stomach for three months. I had a lot of trouble eating. I did not care. I would take eight if I needed to just to get through the day.” At the competition, she “crunched” her ankle again on vault, twisted it on floor, and distinctly recalls thinking, “my ankle is going to fall the fuck off.” Walking between events, Asta pinned her eyes firmly to the ceiling to hide her tears from the college coaches in the audience looking to recruit their next freshman class. Yet, despite it all, Asta finished the meet, even placing on bars. After her final dismount on beam — which she landed on one foot — her emotions overwhelmed her: “I was so proud of myself. I had gotten through the whole meet and had done moderately well. Who cares if my ankle hurts? I just got eighth in the nation on bars.” To Asta, the immense glory of standing on the podium donning her medal justifies sacrificing the integrity of her soft tissue. To the superhuman-athlete, immersed in the rhetoric of “Guts. Grace. Glory” and “Pain is weakness leaving the body,” exerting your body to the point of near self-destruction is not “nuts”: It is a given. A Coach. An Enforcer. “Kick ‘em out. Curse ‘em out. Embarrass ‘em in front of the gym.” Asta’s tone is matter-of-fact as she describes her club coaches’ strategies for handling gymnasts who were afraid to go for a new skill. “Basically any bad thing you can think of,” she adds, summarizing with her accepting gaze the level of authority and power coaches hold over their athletes. Her words are reminiscent of my childhood: Armen’s screams piercing into Maya three inches from her face after a “sloppy” vault; Jing Jing Zhang’s Adidas sandals flying across the gym to wack 12-year-old Giuseppe for being too “chicken” to go for his dismount off rings; Coach Kelly’s tongue ring banishing my “chicken” limbs to laps around the gym parking lot after crying instead of doing back-handsprings on beam; Sam the literal rubber “shame chicken” being carted around by many 8-12 year old gymnast “chickens” as punishment for any and all expressions of fear. “I was more afraid of my coaches growing up than of any new skill,” Jing Jing always liked to remind us. “At least in this country, you can’t hit children’s knees with sticks.” As stated in Élise Marsollier and Denis Hauw’s paper Navigating in the Gray Area of Coach-Athlete Relationships in Sports, research has shown that “athlete maltreatment in training and competition is not rare, but instead seems to occur more frequently than expected.” Through commonly documented fear- and/or shame-based strategies such as yelling, intentional denial of attention or support, silent treatment, isolating, or belittling, coaches act as enforcers of cultural standards in sports: policing and propagating the importance of exemplifying bravery and suppressing pain. This so-called “tough love” does successfully teach athletes to perform high-risk acts with little hesitation, which may aid in athletic achievement. Nonetheless, even without beating with sticks, placing high moral value on bravery and stoicism while simultaneously creating a fear-based power hierarchy between coach and athlete also increases the risk of bodily harm: “You better suck it up, you better stop limping” were Asta’s coaches words at nationals as she “heavy limped” her way down the runway post ankle-crunch en-route to perform her second vault, her actions reminiscent of Olympian Kerri Strug. "I had to go see a doctor in private who told me my shin was going to split in half if I didn't stop training,” tells former San Jose State University gymnast Alison Falat, who was accused of lying and denied medical care by her coach Wayne Wright after suffering a stress fracture. “Despite the negative impact of these [coaching] behaviors…athletes negotiate maltreatment situations by mostly accepting them through their normalization,” report Marsollier and Hauw, bringing me back to Asta’s accepting gaze and matter-of-fact tone. While the normalization of what is now being labeled as abuse in sports has multifactorial consequences for the young athlete, one of the most salient impacts is the internalization of a destructive mentality: To the indoctrinated athlete, heeding to injury in any way — whether it be leaving a practice early, skipping a competition, or even limping – is considered synonymous with failure. From personal experience, I can say that, once engrained, this mindset is challenging to break. Love is Fraught with Risk Milky: “You can only really appreciate life if you're putting yourself into places that risk it.” Austa: “Gymnastics is more satisfying when you are fighting injuries or mental issues and you are still able to go to a meet and overcome.” “Can you describe to me what you love most about diving?” The writer of my high school newspaper notices how I flinch in response to her question. As a competitive diver, I had became accustomed to answering a certain list of common “normie” queries: → “What’s your favorite dive?” (to which I say 105B off three meter and proceed to get blank stares until I show a video) → “Can you do a flip?” (to which I say, in the most courteous way possible, “No, I actually just spend two hours a day walking around the pool.”) → “You must love it, don’t you?” (to which I always nod and smile, purposely avoiding further self-reflection) Yet, no one had ever asked me why I loved my sport. After embracing some long avoided self-reflection, here’s what I said: “What inspires me to return to the pool every day is the feeling of the perfect dive. When I rip the water beneath my hands, I am no longer controlled by gravity, I am gravity, accelerating at -9.8 m/s² towards the earth through the water, as if the water was simply air, until I finally ‘J-curve’ around, finishing right side up. The exhilaration is addictive.” Beyond the glory associated with superhuman status, according to Michael Atkinson, the act of participating in the sport itself can be “existentially rewarding” because it “provides many participants with a means of experiencing physical, emotional, and psychological sensations not provided in everyday life.” In my case, I delighted in the five seconds of momentary weightlessness followed by the sense of power derived from breaking surface tension with my bare hands. The “exhilaration” was enough to hook me into diving despite the objectively “high-risk” (more on this later). For some athletes, however, enjoyment is not derived in spite of the risk, but rather, as Atkinson outlines, “a significant part of the allure of extreme sports is the degree to which participants place themselves at risk (seemingly irrationally) for the sheer pleasure of being at risk.” Based on Milky’s comment, I would argue that, in the case of TT racing, the pleasure of speeding on a motorcycle at 200 miles per hour derives precisely from the adrenaline of “playing with death” in a way that would not be socially sanctioned outside of the athletic realm. Nonetheless, Asta’s comment highlights that yet a third dimension to the connection between love and risk in sport exists: rather than delighting in the immediate thrill of participation, athletic satisfaction may stem from the delayed pride of having boldly faced and overcome the risk that sport presents. Atkinson describes this phenomenon, saying “the degree to which the body is taxed to its limits (almost sadomasochistically) is meaningful.” Former Brown diver and elite gymnast Carmen Bebbington describes this bodily “taxation”— the post-eight hour practice wailing muscles, overwhelming exhaustion, and deep hunger that drives you to inhale steamed broccoli as if it was a rare delicacy — as “feeling empty.” While perhaps paradoxical, it is precisely this feeling of “emptiness” — the pleasure of endorphins surging through the bloodstream — that I miss most about gymnastics. Even after retiring from competitive athletics, I still consciously strive to push to the point of exhaustion in my daily workouts out of the sheer desire to once again experience the pleasure of “sadomasochistic” physical taxation. For athletes like Asta and myself, loving a sport cannot be separated from the challenge it presents. “Can you describe to me what you love most about gymnastics?” I pose this question to Asta during our interview. As a nostalgic retired gymnast, I biasedly expect her to paint some beautiful description of the joys of flying through the air or the satisfaction of feeling that your jello quads are going to collapse beneath you at the end of practice. Instead, her answer comes as a shock: “Honestly, I really don’t know. It just feels like who I am, and I’ve done it for literally as long as I can remember. I have no memories of pre-gymnastics. The sport kind of sucks: it hurts, it’s scary. But I don’t know, I just love doing it.” While the pleasure of doing the sport can be immense, based on Asta’s comment, I argue that the importance of maintaining the superhuman identity appears to be the most profound influence on decision-making in sports. Whether it be ripping yourself out of bed at 7AM on Saturday mornings to plunge sleepy goosebumps into a chlorinated pool or forcing yourself back up on the beam after an ACL tear, the powerful human need to “know who you are” motivates athletes to continually make sacrifices for their sport. My question remains: can you truly love something that destroys you? The Risk Unseen “I call it the rescue distance.” Amanda is a loving mother. In Samanta Shweblin’s psychological eco-horror novel Fever Dream, Amanda and her young daughter Nina travel out of the city to the Argentine countryside for a summer vacation. Amidst the slow-sultry days spent frolicking through open fields and bathing sunburns in backyard pools, Amanda remains constantly alert: “Right now, I’m calculating how long it would take me to jump out of the car and reach Nina if she suddenly ran and leapt into the pool. I call it the ‘rescue distance’: the variable distance separating me from my daughter, and I spend half the day calculating it.” Amanda’s calculations have long kept Nina’s chocolatey bangs and supple skin safe from the world’s many horrors. Yet, the horror ensues when risk cannot be calculated. Nina’s supple skin begins to itch and rash and writhe as leeched pesticides seep into her innocent flesh from the soybean field upon which she lays. Pulling her daughter’s poisoned body from the grassy-toxic embrace, Amanda has but one thought repeating over and over in her mind: “The rescue distance: it didn’t work, I didn’t see the danger.” Kendall Menard can’t see. After fifteen attempted 5231Ds turned fifteen forceful forehead-to-water smacks off the 1 meter springboard, Kendall stands on the pool deck with her eyes fixed eerily on her extended right hand. “My arm is gone. I only see black past my shoulder.” Us soggy, swim-suited children try to reassure her that we can see her arm, that it looks normal, that it is attached to the shoulder. She isn’t convinced. I reach out and join our soggy right hands. Suddenly her eyes well with terrified tears as she feels invisible sensations from a limb that she is convinced has vanished. I started diving because it seemed like gymnastics but safer. I started diving because water was marketed to me as soft and forgiving. Yet, horror ensued when I started having headaches. After fifteen attempted 203Bs turned fifteen forceful forehead smacks off the 3 meter springboard, I stood on the pool deck wondering why the sky seemed so hazy. Six months later, stumbling through daily life with invisible concussive symptoms, I had but one thought repeating in my mind: I didn’t see the danger. According to a 2016 study of Division I divers from Midwestern universities, 54.2% of participants report having sustained at least one diving-related concussion during their athletic careers. While concussion may result from a flashy skull-smack into the board – such as in the famous case of Olympian Greg Louganis – what is more concerning is that diving-related concussions more frequently result from the mundane crooked entry. As explained by study author Sarah Kemp, a diver’s body enters the water at around 30 mph. Thus, an incorrect entry can cause whiplash effects on the brain as the body decelerates. While the basic physics of diving-related concussions is easily comprehensible, what is more nebulous is why the extent of this risk goes greatly unseen. Risk miscalculation is not unique to diving. In a 2017 study conducted by Christine Baugh, Assistant Professor at the University of Colorado Department of Medicine and Center for Bioethics and Humanities, analytical models suggest that 43% of collegiate football players underestimate their risk of injury and 42% underestimate their risk of concussion. Data out of the UK indicates that injury risk in professional soccer is 1,000 times higher than popularly understood high-risk occupations such as construction and mining. Taken together, these data points lead to a more stratified understanding of the risk unseen: athletes may (a) be simply unaware of the risks associated with their sport (b) be unaware of the likelihood of being affected by such risks or (c) may be unaware of the true extent of the physical harm such a risk may cause. This risk misinformation —combined with socio-cultural factors that normalize pain and injury and glorify the athletic identity — places athletes in a position to make decisions that are not in their best interest. “It didn’t work.” Amanda’s distress plays on repeat in my mind. Her voice calls me to question, how can we make it work? Step one: unblur the risk price tag that athletes read before making a life-changing purchase. Loss is Risky Terrain I don’t remember much about those first two weeks. All I remember is numbness — seeping into the quads, the hands, the mind. The soul. I had limped from injury to injury for two years straight — disc fissuring in the low back, fractured foot, strain in the left inner thigh, second back fracture — too broken to compete, barely mobile enough to train, yet incapable of giving up. My coaches, the preachers of pushing past limits, realized that sometimes breaking isn’t temporary. My coaches spoke the words I could not say: there was no path to comeback. I spent many hours staring blankly at the glossy photo hanging boldly in my kitchen: a blonde girl in a bedazzled leotard soaring over a four inch beam in a 180 degree split. Her focus seemed unbreakable. Her grace seemed infinite. The strength gushing from her muscles reminded me that I was once powerful. I didn’t know if I’d ever feel powerful like that again. Tears dwelled silently in the corners of my eyes, yet I was too numb to cry. As outlined by Atkinson, the risk associated with sports extends beyond physical injury: “Risk is a multidimensional construct of athletes’ minds, bodies, selves, beliefs, values, and identities.” Due to the all-encompassing nature of elite sports, athletes become vulnerable to “self-loss, social loss, [and] emotional loss” as a result of heavily basing not only their identity but their mental-wellbeing on their athletic success. Due to this dependence on their sport, athletes develop a vulnerability not often considered: “Being ‘outside of the game’ is risky terrain” (Atkinson). In other words, contrary to the common belief that leaving athletics eliminates the risk of future harm, career termination represents a significant risk to athletes in and of itself. A systematic review of psychological distress among retired elite athletes found that, depending on the study, up to 29% of the sample demonstrated depressive symptomatology post-retirement, with no study finding less than 20% to identify with diagnosable depression. 39% of retired soccer players were found to have depression and anxiety in a 2015 observational study. A 2017 study revealed that 34.5% of former rugby players who experienced “forced retirement” due to injury were classified as “adverse alcohol” drinkers. Finally, a survey of 644 retired NFL players reported 71% of the sample to misuse opioids and 93% to experience significant pain post-retirement. In combination with depression, chronic pain was associated with difficulties sleeping, managing finances, maintaining social relationships, and exercising. Fast forward eight years and the 12-year-old girl staring at glossy photos in her kitchen is three concussions in and just about to let her newest bodily trauma strip her of a rebound athletic career. Walking solemnly into the “NARP” gym for the first time post-diving, I am confronted with my friend’s gaze of bemusement followed by a phrase I’ll never forget: “you’re mortal.” From the combined experiences of retired athletes across sports, generations, and genders, it becomes clear that “falling back to earth” is a traumatic jolt for the “superhuman” athlete to process. The pain of reconciling with your mortality can become so intense that some athletes in Atkinson’s work define leaving the “total institution” of elite sport as “symbolic death.” Yet, sometimes death is literal. Trevor Labuda dies on November 3rd, 2023, at the age of 24 from suicide. A 2021 Brown graduate and Human Resources Associate at Capital One, Trevor was the captain of the Brown Varsity Dive team, the school record holder for the 1M and 3M events, and the energetic anchor of the Brown Swimming and Diving family. Sitting in a circle in the chaplain’s office, his close friends share memories of Trevor’s raspy voice cheering wildly over the buzz of competition and his bear hugs warming frightened goosebumps after a bad dive. Nick’s voice goes weak as he says, “No one had ever seen Trevor not in an awesome mood.” The tears once again start to dwell in the corners of my eyes, yet I’m too numb to cry. “While no one factor is believed to be the root cause of suicide ideation or attempt, losing one’s identity as an athlete through forced or voluntary retirement is noteworthy along sociological lines” says Atkinson. Trevor was in the process of transitioning out of a fruitful 14 year diving career, symbolically changing his instagram handle from “@trevthediver” to “@trevthedover.” He had a loving girlfriend, a stable job, and many die-hard fans (myself included). No one can define his suffering for him. No one can explain away his death. All I know is that Trevor joins the many revered athletes tragically lost to suicide: Junior Seau (NHL), Rick Rypien (NHL), Kenny McKinley (NFL), Wade Belak (NHL), and Ellie Soutter (Olympic snowboarder) among others. “Grief is the flip side of love,” says the chaplain at Trevor’s memorial, finally breaking our silence dotted with harmonized sniffles. “Love is a risk, but that doesn’t mean you should stop yourself from loving.” No matter the complex establishing factors or the frequently painful endings, one thing is clear: athletes love their sports ferociously. Despite the physical injuries they produce, the sacrifice they entail, and the grief that accompanies their loss, is it justified to prevent people from expressing this love? Should future generations be deprived of their chance to experience it? And Yet. “Last question: will you put your kids in gymnastics?” Asta does not hesitate: “Not a chance.” At the age of 21, my body is abnormally weathered and restricted: the bilateral tendon tears in my feet and lower leg spread numbness and burning into my toes as I stand at the sink to brush my teeth. The twisting required to roll out of bed must be carefully executed to prevent the electric surge of SI joint instability from shooting into my back and lower abdomen. Post-concussive migraines taint physics homework and roommate dinners with fog, fatigue, and sustained eye twitching. I often lie awake at night grappling with the unsettling reality that there is no escape from pain. My mom sat beside me on cold metal chairs as the orthopedist announced that the longitudinal tears in my feet tendons will eventually need to be surgically “tacoed” back together. When I asked him where exactly on a calendar “eventually” is, he replied with a daunting “you’ll know.” Every day I cautiously roll out of bed, awaiting the moment I will no longer be able to walk. Tears began to dwell in the corner of my mother’s eyes, but she was not afraid to cry. “I wish I had never put you in gymnastics,” she whimpered into my ear. Suddenly the metal chair felt like ice beneath my forearms. And yet shaking, cold, and terrified, all I can think is that I’d do it all again. I’d do it all again for the existential weightlessness of flying over a four inch beam in a perfect slip, I’d do it all again for the burst of pride and adrenaline that surges through the stomach after sticking the perfect vault at regionals, I’d do it all again for the beautiful exhaustion that filled every inch of my flesh after a four-hour Saturday practice, I’d do it all again to hear my teammates scream-cheering from across the gym, I’d do it all again because I can’t imagine who I’d be without ten years dressed in leotards and coated in chalk, I’d do it all again because to this day I still consider myself a warrior girl, and I’d do it all again because despite the burning and despite the aching and despite the twitching, what pains me most is knowing that I will never again do what I loved so ferociously that it destroyed me. “It's the best thing in the world anyone could ever wanna do. Why would I want to stop it just because it hurt me?” – Richard "Milky" Quayle Last question: Is participation in elite athletics justified? It depends how much you are willing to lose.

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Across the Atlantic and Back

Maison Texeira
February 19, 2026

1975. Shirley dreams that she’s at her job, working behind the counter at a small bar called the Devon in the seaside town of Hartlepool, wearing a white T-shirt with a Penny Farthing bicycle on it. A handsome guy walks in with a lovely smile, brown skin, and jet black hair. They talk for a while, until she wakes from the dream. A few weeks later, Shirley sits behind the counter at the Devon, wearing the same white T-shirt, only this time she’s awake. That’s when the man of her dreams walks into the place and asks her for a drink. They talk for a while, until he and his crewmates are called back to the ship, and he leaves to set sail once again. The man of her dreams, otherwise known as Big Manny, comes back to visit Shirley occasionally. Eventually, he makes her a present: a Penny Farthing bicycle made out of nails driven into a piece of wood. She loves it, and soon enough, he comes over to stay with her and the son she’s been raising by herself. They live together, but not really; he’s away most of the time, cooking delicious meals for hungry sailors adrift on the merchant ships. When he’s back home with her, they go to the disco together, boogieing all night to Earth, Wind, & Fire, the Stylistics, and Donna Summer. They’re spectacular dancers; they can do the Bump, the Hustle, they can Rock the Boat, and everything in between. Today, Shirley is still a spectacular dancer, but she tells her grandson that nobody could dance like her husband used to. Her grandson wishes that he’d inherited some of their dancing genes. ~ 1977. Shirley and Big Manny have a child together: a chubby, white, red-haired boy whom they also name Manny, otherwise known as Little Manny. Five years later they have another, a brown-skinned girl with black hair whom they name Maria. They carve out a life in Hartlepool, with Shirley taking care of the kids and Big Manny continuing to live out at sea, coming home for one month out of every year. Hartlepool isn’t always kind to their family, being one of few mixed race families in the town. One time, a boy throws a brick at Maria’s head and calls her the N word, and Little Manny fights back by throwing several bricks at his head and beating him up. Little Manny gets into tons of scraps with other kids, but most of them are with his older brother John, who torments him — and loves him — like no one else. John can beat Little Manny up all he wants, but as soon as anyone else so much as lays a finger on his younger brother, he shows up to break that finger, as well as maybe an arm or two. Little Manny also has many girlfriends growing up, but his first true love, the one he’ll someday meet and bear a child with, is all the way across the Atlantic, in a country he’s never even heard of. ~ 1986. In the third-world metropolis of Belize City, there lives a woman named Vianney who is raising her daughter Melanie and her infant son Sergio. Melanie is a feisty young girl, running around the city with her younger cousin Camille. The city is their oyster, and yet it is also a dangerous place. This is a city where old men carry crocus bags and use them to try to catch young girls, which almost happens to Melanie and Camille one day. This is a city where watching a woman almost drown in the canal is nothing unusual, at least not to the wide, curious eyes of little Mel. And worst of all, this is a city where Tataduende, the dastardly dwarf with backwards feet and a penchant for stealing children's thumbs, is believed to roam from time to time. Melanie often conceals her thumbs within her fists when she walks about. This is a city of peril and poverty, yet Melanie only sees the wonder of it all, especially in the big, gaping eyes of the kittens she and Camille find at the corner store. They bring the kittens back to their great-grandmother Mims, who had asked them to get her some tea bags, not these adorable kittens. Mims explains that Melanie and Camille have failed to consider the fact that they are very, very poor. How are they going to feed these kittens? ~ 1989. Shirley and her family decide to move to the United States of America, on the Northeast coast of New England. That’s where most people who left Big Manny’s homeland of Cabo Verde have wound up, and it’s where his two sisters and most of his brothers call home. Little Manny, Maria, and John all enroll in school, where Little Manny is scolded for staying seated during the Pledge of Allegiance. “I don’t pledge allegiance to this country,” he says to the teacher. They do American things, like going to McDonald’s, where John tells Maria to give him all of her fries because he heard that “McDonald’s supports the Irish Republican Army.” Little Manny makes lots of friends, who come to know him as “English Manny,” and his accent makes him a catch with the girls at his school. He and his friends live on the edge, riding their dirt bikes through abandoned factories and going toe-to-toe with each other in bareknuckle street brawls. Shirley misses England dearly, and later admits to her grandson that she never wanted to move to America. When she returns to her home country for the first time in twenty years, she finds that it’s no longer the England she remembers. ~ 1989 (still). The same year Shirley and her family move from England to the Americas, Vianney and her 9-year-old daughter, Melanie, move from the Americas to England, while Sergio stays behind with his Dad. Melanie is excited, her little Caribbean mind imagines England as the land of fairytales and royalty. When she gets there, there aren’t any fairies, and she doesn’t meet any princes or princesses, but she does find things like clean sidewalks, dentists, rubbish bins, and street sweepers — luxuries that didn’t exist in her home country of Belize. They’ve moved here because her mother has married an English army man, who hits her and calls her names. He is sent to Iraq for months at a time, and Vianney and Melanie savor these months without him. Vianney begins to know England as home, much more so than Belize, which is slowly becoming a much-desired tourist destination for its beautiful sandy cayes. While talking to her grandson many years later, she laments that the Belize she knew as a child is gone, and that the Belize where snotty American tourists spend their winter holidays is not the Belize she wants to return to. ~ 1997. Little Manny, who is no longer little anymore, travels back to England frequently, attending raves where DJs play techno, trance, and house music as a pulsating sea of people dance. At one of these raves, Manny lays eyes upon the most beautiful girl he’s ever seen. Manny approaches the girl and asks her name, which she says is Melanie. They strike up a conversation, and he asks her if she’s seeing someone. She says she’s seeing a guy named Danny… who just so happens to be Little Manny’s best friend. Nevertheless, they form a friendship that blossoms over the years. Manny spends his early 20s living many lives. He lives one life as DJ Synista, renowned in the Providence nightclub scene for spinning techno records that transform empty Brown University halls into living, breathing dancefloors, where college students boogie their cares away. He lives another life in Tenerife, a married life, one that somehow survives for some time after his pet ferrets devour all of his wife Eleanor’s gerbils but still ends in an unceremonious divorce. Eventually, Big Manny’s son moves back to Rhode Island, where he continues his usual escapades with beautiful women — all of whom he completely drops after convincing Melanie to come fly back across the Atlantic to the States, where she’ll live with him. In the meantime, Big Manny takes up work in the restaurant business. He becomes the head chef at Cantina di Marco, a cozy Italian restaurant in Cumberland, RI, of which he will soon become the sole proprietor. He’s finally found a home for his five-star cooking after many years traversing the globe on merchant ships. Cantina di Marco becomes a second home for Big Manny and his family, a second home populated by strangers who come through its double doors to dine, drink, and mingle. These strangers don’t see the inner workings of Big Manny’s crowded kitchen, where chefs toil over stoves and chopping boards, but the savoury flavor of his signature prime rib or his alfredo linguini speaks volumes to the culinary brilliance hiding behind the kitchen’s swinging doors. ~ 2025. Manny and Melanie are no longer together, but they have an unbreakable bond that’s lasted twenty years and looks a bit like both of them, with his mother’s hazel eyes and his father’s round head. Their son, Maison, was once a wide-eyed little boy with an afro, sitting on his father’s knee as Manny recounts the moment he met his first true love. Now, he’s a young adult, carrying the stories of his parents and their parents with him wherever he goes. His grandad, Big Manny, lives on in his memories. He remembers Cantina di Marco as though it never closed down, remembers sitting in a trolley with a big grin on his face as Big Manny pushed him around the parking lot, remembers chilling at home with Big Manny as they munched on bananas and pretended to be monkeys. As a young adult, Maison will one day find himself writing a creative nonfiction piece about how his family came to be. He will write this piece in his now-retired grandmother Vianney’s back garden as she reminisces in the kitchen with her daughter, laughing about Melanie’s escapades in York. He will write this piece while sitting next to his mother Melanie and asking her what her life in Belize was like. He will write this after having spent several weeks with his father Manny, who’s back in England after all these years, now living happily with his second love Chantelle. He will write this for his family, a family which is, quite literally, beyond the wildest dreams of a young English girl working at a bar in the quiet seaside town of Hartlepool.

In Memoriam Iuliae

Luca Raffa
February 19, 2026

In Memoriam Iuliae I It was a late afternoon during mid-March in Toronto. I remember the grey clouds brought rain-drops, and puddles, and stillness into the world so as to reflect the quiet miseries and mysteries of life. Gloom hung in the stench of the muggy air and clung to the back of my mind. The heavy lake clouds acknowledged our melancholic mortal condition and the curse of suffering we each bore as trespassers in the ailing world. The indifferent pour of rain and the growling roars from above prophesied tragedy. Beauty was melting. Beauty, like the way the golden sun loved the sky, was as brief as perfection and drowned in tempests. Yet beauty was also like the fleeting touch of calm rays, the emerging yellow after misery. I was six years old and did not understand neither misery nor beauty. She was sleeping peacefully on Mom’s lap, Dad beside her, Gabriel and I sitting on the floor. Mom said that her heartbeat did not rhyme with its usual rhythm, and she soon lay as heavy as marble in her lap. Mom was so young. She sent me and Gabriel upstairs to wait, and we watched in the dark as blue and red lights brought us to the windowsill. An ambulance arrived, and I remember the funeral smelling like lilies. II I could never understand you. All you could say was ma. The thoughts which you could not speak would rupture into your violent yell, but your hands tried speaking to me a million words: you would put your hand to your mouth as if to blow a kiss, as if to say I love you. I wish you could have seen the smiles on my face. You were rough and free and would rock back and forth in a trance, shattering ice or a glass cup on the living room floor when you were happy. I remember you as biting, vomiting, and moaning. But you were also the clink and clatter of keys which you would jingle and the glow of carols on your radio—you were the scratches on those CDs. You were laughter when Mom read Robert Munch’s picture books, the hums of Silent Night, and the sweetness of cream of wheat, the things which you loved most. You were the familiarity of the green couch and drowsiness. I remember you as soft blankets, pink sweatshirts, and stretchy hair-ties. Your long, black hair was wild against the stillness of your cold white hands. You were syringes, and medication, and wheelchairs—the nurses’ only patient. You were never-ending doctor’s visits and hospital visits, Christmases that brushed against death, the numb headaches and tears of your loved ones. You were youth, and joy, and beauty, and sickness, and misery, and death. You were my confusion. III Mom and Dad fled the life where Julia lived for sixteen years and brought me and Gabriel to America, this continental haven where families could be reborn. Time kept me away from the places of the past, and the vividness of Julia’s memory rusted inside me. I would begin to forget her. But her presence would never leave me. At the bottom of the eighth inning of my first Red Sox game, the happy crowd’s chant bum bum bum resurrected Julia: the memory of a happy little girl on her father’s lap singing Sweet Caroline appeared in my mind and wet my eyes. This pleasant twinge of Julia’s memory in my heart comforted me, though. Today when I feel this strange tickle and think about Julia’s story, I remember that I have witnessed a miracle. In her short life, Julia illuminated beauty and defied the weary miseries of the world. As a proud brother, I am compelled to follow this light and to seek beauty in the world.

Trends: A Sole Collection

Lucy Kaplan, Juliet Corwin, Riley Stevenson, Elsa Eastwood, Ava Satterthwaite, Annabelle Stableford, and Anika Weling
February 12, 2026

In my youth, a jar of pickled herring claimed the back right corner of the fridge. I can’t quite point to my father’s Jewish ancestry as the reason; it seemed more of a personality quirk that compelled him to crave tangy fish on a seeded cracker before his three o’clock nap. My brother and I followed suit, curious eaters tempted by scores of gefilte fish and gravlax at break fast, Passover, and the occasionally attended Saturday service. On weekends, we grabbed bagels with whitefish from Lenny’s, a half-decent deli we remained loyal to for the name it shared with our late grandfather. Not the finest in the city, but every New Yorker knows that the best sandwich comes from the place around the corner. After our westward relocation, my appetite persisted. No longer able to race down the stairs and across the street to satisfy my hankerings, I stacked the cupboards with tinned fish of my own choosing. Smoked sardines in olive oil, thinly filleted mackerel, salmon preserved with lemon—a hazy ode to New York winters gone by. Salt and sour clung to the walls of our kitchen, reminiscent of the mom-andSole ME copy 25 copy (3).inddc 14 trendy to forget to eat. Somewhere around fifth grade, I think. pop shops we once frequented. This one, our own. When I left home, I folded my f ixation into my suitcase—not a trend, but a history. I etched a pair of salmon onto my upper thigh, drawn with a dark ink that felt like blood. A finelined reminder of Passover and Grandpa Lenny and my father’s pickled herring. Last month, I remember in health class, how my teacher told us about thigh gaps and how to check if we had them. After class, a group of us stood in a circle, touched our ankles together, and prayed for emptiness. We’d skip meals and then skip SILENT HUNGER WAS THE LANGUAGE OF THE STRONG. “ ” JU LIET CORWIN I stopped dead in my tracks at a familiar crosswalk in New York. There it was: the closure sign in Lenny’s window, dated two years prior and peeling at the edges. My stomach roiled as the word imposter came to my lips. I was sulking in a city that held my past and escaped my future. That same week, my father sent me a pair of winter boots, a tin of smoked f ish stuffed inside the left footbed. Somehow, he knew I was mourning. Sweet Girls By Juliet Corwin I try to remember when it became 14 rope during recess. When we got lightheaded during P.E., we’d lie and say we had cramps. (Most of us hadn’t started our periods yet.) When our bellies grumbled in class, we’d pretend not to hear it. We’d look at magazines of flat stomachs in low-rise jeans and poke at our pudge. We bragged about how long we could go without eating. We’d sneak chips and cookies when the others weren’t looking and hope the crumbs didn’t leave a trail. To eat was to be weak. We couldn’t give in to the gnawing. Silent hunger was the language of the strong. It became honorable to ache for food, a rite of passage into the womanhood we so desperately awaited. 11/26/25 4:46 PMAnd nothing could taste as good as skinny felt, right? I remember the shame that blushed at my cheeks after I caved and ate the pasta and chicken that my mother had lovingly cooked for me. On-Campus Observations From An Off-Campus Oyster Farmer By Riley Stevenson To be on a college campus is to be surrounded by trends. Spend fifteen minutes on the Main Green and you’ll see a dozen micro-trends, some here to stay and most bound to disappear into the backs of closets; new accessories worn in creative ways over ever-lowerslung jeans held up by a kaleidoscope “ HIS WORLD IS ONE OF SALT, FROST, AND FIREWOOD, OF WEARING THE SAME MUDCAKED SWEATSHIRTS TO WORK AND SEEING THE SAME FLEECECLAD OLD PEOLE IN OUR SMALL MAINE HOMETOWN. RILEY STEVENSON of belts all turning to dust. My boyfriend is an oyster farmer from a small town in Maine. His world is one of salt, frost, and firewood, of wearing the same mud-caked sweatshirts to work and seeing the same fleece-clad old people in our small Maine hometown–a life without much room for personal expression through trendy clothes. Observing the trends of our campus is his favorite activity when he comes to visit. He walks into the Blue Room, sympathetic to all of the college students hunched over their laptops, buys a coffee, and sits on the terrace overlooking the Green, noticing. As a freelance journalist and astute business landscape rendered big bands unviable. It died again in the 60s, when bebop became esoteric and cerebral, a “musicians’ music”. Young people wanted to rock instead of think. It went out with the Old Guard—with observer of the human condition, he is uniquely primed to note and catalogue, dedicated to his craft of perceiving what has changed since he last stepped foot on both this and his own college campuses. After I am done with class “ he barrages me with questions and commentary about what he’s noticed, like an off-duty WE MAY TALK OVER IT AT COCKTAIL PARTIES, LET IT WAFT OVER OUR HEADS IN ELEVATORS, BECAUSE WE, LIKE THE YOUTH OF THE 60s, HAVE ENOUGH TO THINK ABOUT. WITH MUSIC, WE SCROLL AND SKIM SURFACES. anthropologist, notebook in hand. He is excited, irascible, brimming with observations, seeking confirmation, ever-excited by his day’s work.“Does anyone here use a backpack anymore? Could the jeans get any baggier? Do you think anyone wants to buy my pre-paint stained Carhartts?” I shake my head at him and laugh, knowing the questions are the fun part, their ” answers irrelevant. We walk through the Green hand in hand as he tells me about his findings. I marvel at the ELSA EASTWOOD ” Armstrong and Ellington, Billie, Dizzy, and Dexter—and again with Bird, Monk and Miles, with Wayne and Coltrane. They say we’ve succumbed to the musical Big Mac of commercial pop, and not even Wynton Marsalis can bring us back. I believed them. Then last year, I won a ticket through an Arts Institute lottery to see Jon Batiste in concert. I never win anything on that website. I knew him only as the bandleader on The Late Show, but I had to go. Arriving at the venue just before 7pm on a Thursday, I stepped past a nauseatingly long standby line of fans clutching setlists and trading deep-cut references with fervor. I recognized some from my music theory courses and offered a few guilty waves over worlds we occupy, the observations that allow us to see how others see their world, how lucky I am to share this world with someone as thoughtful and observant as he is. Jazz is Dead By Elsa Eastwood They say jazz is dead. It died first after World War II, when a changing 15 my shoulder as a woman scanned my ticket. I chose a seat in the very front, just beneath the grand piano—the piano on which my jazz hero would perform a reharmonized “Star Spangled Banner” unlike anything I’d heard. His expansive fingers stretched across the keys like vines, entwining gospelinflected voicings with modal color, face contorting in testimony. His was a music of lineage and remembering, pain and power, the improvisatory human experience; a music that traverses valleys and wades through Sole ME copy 25 copy (3).inddc 15 11/26/25 4:46 PM“That’s the trend, Mom.” rivers, moving through space and psyche. It was sacred and lyrical, percussive and raw. Creation and truth-telling unfolding in real time. The arrangement lasted 15 minutes. Standing with the crowd, hand to heart, I soon shook with tangled sobs of peace, joy, and heartbreak at what felt like the most perfect convergence of sound and history. The old and patriotic, broken open in one trembling instant. I say jazz is alive. It’s adapting to a changed landscape, vivified by its own endurance, shedding its skin in the dark. It emerges between genres like a ghost in the machine. We may talk over it at cocktail parties, let it waft over our heads in elevators, because we, like the youth of the 60s, have enough to think about. With music, we scroll and skim surfaces. But if allowed, it will instruct. It will wait for us to remember how to listen. It will continue to send messengers to remind us that, bruised but dignified, it still pulses beneath the noise. The Chronicles of the Traveling Pants By Ava Satterthwaite The first time I asked to borrow my mother’s bell-bottoms, her face “ STILL, IN THOSE BELL-BOTTOMS LIVE FIELDS OF HER ROSE AND LAVENDER FRAGRANCE, DENIM THREADS INTERWIEVING LIKE STRANDS OF HAIR SHE’D DUTCH BRAID BEFORE BED. AVA SATTERTHWAITE scrunched in disbelief. “That’s the trend now?” she asked, befuddled. I never wear them, of course – the tide of the trend shifted long ago. Still, in those bell-bottoms live fields of her rose and lavender fragrance, denim threads interweaving like strands of hair she’d dutch-braid before bed, silhouettes of her twirling between twill ruffles like we’d dance in the kitchen to “Better Than Revenge” and “Fearless.” All around me are reminders of adolescence. Pink bow UGGs mellow into classic tans. Black puffer vests I followed her to the attic, where we coiled between stacks of doodle-laced notebooks, faded letterman jackets, and clusters of swollen crates— one labeled CHRISTMAS DECOR, another RECORDS + CDs, a third DENIM. It was like Narnia – an entire world of memories hidden behind her wardrobe. She found the bell-bottoms under a mound of distressed overalls and low-rises and threw them over her shoulder. Snickering, she asked if I’d like a flower headband or some fringe boots to finalize the look. But, as I stood in the mirror, smoothing the creased flares and fiddling with the waistband, a tear skimmed down her cheek. “That’s the trend?” she echoed, voice faltering. I nodded. “It’s just like I remembered.” ” When I came to college, my mother snuck those bell-bottoms into my suitcase as a farewell, her scribbled note stuffed between its folds. Call Your Mom! it insisted – like I’d need the reminder. Frankly, the further I wander from home – from childhood – the more striking our resemblance becomes. I listen to “Landslide” with such reverence it feels biblical. I add crushed Kellogg to my cookies “for some crunch” and dark chocolate chunks “for the bite” like she advised. I drink iced Sauvignon Blanc and shake my leg so excessively the whole table wobbles, its steady thrum reminiscent of our once shared dinner table. I never considered my s e l f sentimental until I rediscovered her bell-bottoms looming in the recesses of my dorm-issued wardrobe. 16 overtake matted lime-colored North Faces. Like my mother, I’ve been fossilized over and over, my fleeting memories buried beneath old boxes and new clothing, my own forsaken Narnia. The trends, timeless and teenage-dirtbagish alike, fill these archives with precious evidence of our evolution. I grab the bell-bottoms and look toward a clouded mirror. I’m much older now: cheekbones more defined, brows furrowed tensely. The denim is stiffer now, too. It holds me a little tighter, and I think warmly of my mother’s arms. It’s just like I remembered. Merriam-Webster By Annabelle Stableford trend noun a : a line of development : approach b : a current style or preference : vogue c : a general movement : swing d : a prevailing tendency or inclination : drift Approach: To identify three intrigues: two trends of my life, and for fun, a not so subtle trend that consumes me, which you may discover hidden throughout this text (although I am no mastermind). Vogue: So it goes, it is not in vogue Sole ME copy 25 copy (3).inddc 16 11/26/25 4:46 PMbe in vogue, nor am I in vogue. But I persist. Swing: According to my memory, everything that ever happened to me happened when I was eight. There were troubled nights and tears culminating in the visit to the energy healer, who proclaimed me a blind farmgirl in a previous life (that escapes me as well a pendulum now, coming back in crisis to explain everything). And the drunk man at the natural hot springs and the woman who told me to look away, to imagine his image washing away in the river (except “ Quarantine Trends By Anika Weling It’s sad to think of what I will say when my children ask me what I did during the COVID-19 pandemic, the most prominent event of our generation. I wish I could say I did anything useful. I could lie and say I helped save lives or protect rights, but in reality I sat in bed for months on end, fixated on a little LED screen I REFUSE TO FORGET MY LIFE: THE SHARPNESS OF WORDS, THE KIND THAT ONCE YOU READ THEM, THEY HARBOR WITHIN YOU. eight inches from my face. I listened to the distant hum of the news from my living room, an ominous loop of ANNABELLE STABLEFORD every time I try, the current reverses). And when I read Tuck Everlasting and in the story discovered a profound magic all for myself (novels, within my realm of independent reading now!). Ex. “You have a favorite spot on the swing set / you have no room in your dreams for regret.” 1 Drift: “Pulled him in tighter each time he was drifting away.” I refuse to forget my life: the sharpness of words, the kind that once you read them harbor within you; the ten hardboiled eggs I watch someone eat at breakfast, all in one go (perhaps not profound, but noteworthy); the things that happened to me when I was eight and in all the eras after. All of this goes into my Volumes, my Immortal Histories, my Moleskines (2019-2024) and Leuchtturms (2024-present), my most critical trends. I don’t let any of it drift away. Ex. “Pulled him in tighter each time he was drifting away.” 1 ” muffled, monotonous voices with nothing good to say, so I hid under my covers. I watched video after video on how to make dalgona coffee, while hating coffee, and how to 1 Attribution of quotes (spoiler warning): Taylor Swift do Tiktok dances, which I had no desire to ever learn. I saved DIYs and recipes to a folder, only to never look at them again. Propped up in bed, I took online classes while the world fell apart around me. The numbers rhythmically continued to climb. One million. Two million. Ten million. No one ever taught us what to do in the case of a pandemic. No one thought we would need to know. So in the utter chaos around us, we turned to distraction to survive, to escape. Never-ending entertainment f lashed passed us as we chased a relief we could never quite reach. We fell into rabbit holes where we never had to stop and realize what our lives had become. It’s trend, after trend, after trend. Around me, everything is still, everything is quiet.

Casio's Avocado

Miya X Wu
February 12, 2026

Suppose you exit the parking structure at Westfield UTC in San Diego and walk towards the open-air atrocity, filled with more options for oatmilk matcha lattes than are good for your sanity. In that case, the first thing you will see is one of the two Lululemon locations in the mall (really?). Ignore it, turn right. Not far away, a pink circular sign waves from the wall, the silhouette of a man in a newsboy cap looming over a cup of coffee, offering “Joe & The Juice.” The interior of the shop is on the darker side, a similar atmosphere to that millennial-run burger joint that serves its overpriced truffle fries on fake newspapers. The menu offers smoothies and juices whose names give you not a single hint of what you are ordering, except maybe the color of the beverage. This leaves the cashiers entertained as the queue of squinting customers try to read the ingredients in tiny print under names like “Iron Man” and “Prince of Green,” their eyes occasionally widening at the right side of the menu. On the walls are framed quirky posters like “I just saved some wine, it was trapped in a bottle” and “more espresso, less depresso.” One of the many posters humorously comments on the human encounter with avocados: “too soon… too soon… too soon… NOW too late…”, referring to the universal pain of finding your morning avocado, which you’ve been looking forward to all night, disturbingly squishy—even though you could’ve sworn attempting to cut it yesterday afternoon almost chipped the knife. On my left wrist, there is a permanent white band, a mark left by the joint effort of the sun and my Casio Baby-G that mom got me when I turned twelve. Its watch band is now off-white from the five years of weathering, with faint, darker spots on it from that one time I helped my mom dye her grey streaks black. That avocado on the poster from Joe & The Juice seems to have gotten itself a little too acquainted with my watch. Every tick of a handle, every tock of the gears, seems to smear that damned fruit into every uncleanable crevice of the machine. The rose gold watch face and its hidden surfaces are painted with a filthy green explosion of nostalgia, filling every unoccupied moment with the remnants of something that used to promise a great avocado toast. So unruly this fruit that its colors seem to bleed onto nostalgia itself, contaminating it with its bad habit of causing untimeliness. Nostalgia is the only word a writer can really put on it. The persistent state of “missing.” The endless cycle of living in the past and the future, but somehow never the present. You look forward to something about to happen, forgetting to look at the ground at your feet. You pick up an avocado hoping to make guacamole, only to find it hard as a rock with anticipation for tomorrow’s day, not quite fit for making guac, so you leave it in the fridge. That same afternoon, you return to it with the new idea of slicing it and putting it on toast, only to find it has become too mushy to be sliced, so you leave it on the counter. The next day, you return to it to finally cut it open, and find that it is too mushy for anything at all, with dark spots crawling on the light green flesh. So then perhaps the mythical “prime” of this devilish fruit doesn’t exist, the “present” an elusive thing before it becomes nostalgia. I want a perpetually solid avocado to fulfill all of my slicing needs, and another forever mushy one for on-demand guacamole. I know I can’t have that. They haven’t even made GMO avocados that do that yet. So what then? So what if you’re looking forward to something that’s yet to happen? Something is happening right now for you to miss later. So what if I lost my watch the first month of my freshman year in college? Its reliable mechanics have gotten me this far, and I have nothing but good memories and a sweet few chapters of my story with its rosy reflection glimmering on it. So what if something has already happened and you feel sickening butterflies upon its absence? At least you once had something beautiful enough to cause this colorful affliction. So what if my guacamole is a little chunky because the fruit was unripe? So what if my order of avocado toast is a little mushy because the fruit was too ripe? Before it gets rotten and you have to trash it six feet under, eat your avocados.

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